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What is the place of the Humanities in the real world? This question haunts me as I reflect on an altogether mundane conversation I had recently with a colleague at my other (non-CUNY) job, where I teach writing. Here’s a synopsis of the exchange:

A (that’s me): “Hi! What are you teaching this semester?”
C (colleague): “Nothing. I finally have some time to work on my own stuff. What are you teaching?”
A: “A business writing course.”
C: “Oh, that’s really great! You don’t have to deal with . . . you know, the ideology.”

The ideology my colleague was referring to is the theoretical framework behind the program’s basic composition and expository writing courses. Instructors teaching these classes have to adopt a fairly prescriptive approach, both in terms of assignment sequencing and instructional methodology. Such requirements are understandable and perhaps inevitable, given the large number of instructors, most of whom are adjuncts. There has to be pedagogical coherence if thousands of students are to be held to the same rigorous standards.

The business writing course, on the other hand, allows instructors a greater degree of autonomy. There certainly is coherence and rigor in the curriculum, yet there is also a refreshing freedom. I suspect that there is more to this than the fact that a smaller pool of instructors (in business writing) requires less directorial oversight. The requirements and standards of the business writing course result from, and represent, goals that are more non-academic in nature. The ideology behind the more traditional writing courses (basic composition and expository writing) is connected to their “background” in the Humanities, while the “idea” behind the business writing course is to prepare students for success in the “real world.”

Yet the Humanities, it seems, cannot serve purely academic interests. In an environment of assessment and academic accountability, the Humanities, struggling to survive in a largely business-driven world, have little room for failure. They must produce results at once satisfactory to the academy and, in some way, relevant to the “outside” world. Administrators of courses like basic composition and expository writing thus have all the greater need for top-down quality control. The relative autonomy of the business writing instructor, in this view, corresponds to the entrepreneurial freedom of the real-life business person, who may create (to an extent, of course) his own means to a purely practical end.

The issues raised by all of this are particularly interesting to me in my work at Baruch, a business school with traditional Humanities requirements. In the upcoming installments I’ll explore how the different institutions I’m associated with are reinventing the traditional liberal arts education, specifically with regard to writing and communication.