Monthly Archive for March, 2009

Score One For Distance Learning

The trend towards online and distance learning courses at the university level has increased for the past decade and will continue to do so. The National Center for Education predicts there will be 18.2 million undergraduate students enrolled in long distance courses by the year 2013. And today, 90% of all industries surveyed state that video-conferencing is an integral part of their communication systems, whether it be for training or international meetings. Though the educational worthiness of these online courses is still in question, this technology and its integration into the college landscape are certain.  For anyone involved in teaching and learning, or instructional technology, it seems to be the time to do some research and experimenting with online courses. So I jumped right in. I have just finished taking a three-day online seminar in Higher Education and Social Justice. I was online for about 6 hours each day and to my surprise it was great!

The seminar platform was through Adobe Conference Pro, which is basically an online series of conference rooms equipped with streaming video and audio as well as screen sharing and document display tools. Students and faculty just sign into their appropriate room and click on the camera and microphone options and all of a sudden you are talking and seeing anywhere from 3 -20 people all looking back at you from their kitchens or their offices. Talk about cacophony! It is like a moving imagery of inhabitants across the country all squeezed onto your computer screen. There is an amazing sense of intimacy, you are invited right into someone’s home and with a little scrutiny you can imagine so much about their lives, yet every time you get up to get a drink of water you are in your own house and no one is there.

conference_optimized

When the seminar really began, I found myself extremely concentrated on listening and taking notes on the speaker or questions from other participants. It takes discipline to wait one’s turn for discussion and debate as well as having noted content references in order to remind everyone where your question falls within the discussion. These are all strong academic skills and I found that I could not stop using these skills throughout the entire weekend. I can certainly see this as a significant skill for many students. Score one point for video-conferencing and learning. Another skill area that demands a lot of concentration is handling the many channels of communication going on at once. There are visuals, audio, texting, Power Point and keeping track of who has raised their hand, this all at once. Most undergraduate students can handle this multi-channeling, but I believe there is a generational divide and it is more cumbersome for others. Moderating online is also a demanding skill in communication and concentration. At one point each participant was asked to moderate the Q&A of someone else’s PP presentation. This was not easy to do and I can see it fast becoming a desired professional skill for the 21st century. Score another point for video-conferencing and learning.

There was a lot of fooling around at the very end of the weekend as many participants had gotten the habit of the technology and started to play around with our online classroom. Someone in California declared that the cats in NY were making the Vermonters sneeze, and people offered wine across state lines and so on and so forth. Score another point for bonding.
But the main question still remains. Was their real academic learning and can it replace the face-to-face? The answer is yes and no. I walked away from several of my courses with a deeper understanding of how people really look at Social Justice and of how complex our own versions of it really are, and that the philosophies of a just society are as transferable to media literacy and criticism as they are to Human Resource Management. I walked away with a list of books to read from faculty and participants, and I have notes on feminism, religion, education and social responsibility up the wazoo.

Though I feel very positive about this experience and think there might be some real potential in this sort of distance video-conferencing as a learning environment, there are some important points that I feel led to the success of this weekend. For one, I want to emphasize there was extensive training beforehand; we had three live online training sessions before the weekend. This seems crucial to the level of ease for each participant with the technology and perhaps for the sense of community later enacted during the online sessions. As well, this was an experiment in an ongoing Doctoral program and most of the participants have already had face-to-face courses together. This fact is central in thinking about an online learning experience. I believe the seriousness and sense of community that occurred this weekend was largely due to the academic level of the participants and their prior knowledge of what would be expected of them in the online seminars. These are significant aspects of this particular online experiment and I am not sure what the experience would have been without these two components.
So, yes I learned, and no, the human factor of prior face-to-face courses can not be ignored. It is a must, which cannot easily be replaced by video-conferencing software.

As always there needs to be more research and experimentation in this area and I will do some follow up interviews with the other participants and hopefully post on their experiences as well as my own. For the moment, my initial reaction is our students are walking into an amazing Internet world where the limits seem to me boundless. But there are major communication skills needed to make our students the actors in this world and not passers by.

YouTube Showcases Debate Over International Naval Incident

I am always amazed at the many ways YouTube continues to evolve and find new relevance on the world stage.  It now finds itself hosting evidence (or propaganda, depending on who you ask) of a controversial encounter between a US Naval surveillance vessel and some Chinese ships.   According to the US Navy, who released the videos taken by someone aboard the USNS  Impeccable on their official YouTube channel, the Chinese ships attempted to interfere with a routine surveillance mission in international waters.   The Chinese government claims that the US ignored international and Chinese regulations by conducting this mission, and they are most likely upset over the Impeccable’s proximity to one of their most advanced naval bases.

Now, thanks to YouTube and the Navy’s willingness to “share” their footage of the incident, we can all take a look at the “evidence” and discuss our opinions online… unless, of course, you live in China where YouTube is currently blocked by the  government.

One of the 8 videos of the encounter is embedded below, which shows someone on one of the Chinese vessels using a hook to disable the Impeccable’s sonar line.

[youtube]http://www.youtube.com/watch?v=BlhjhDrChno[/youtube]

Wet Spaghetti

At the Harman Writer-in-Residence lecture at Baruch College on March 24, George Packer, who became well known through his reporting for the New Yorker on the invasion of Iraq, spoke of turning his focus to this country. We’re living through a period of remarkable change, he said — political change, economic change, cultural change — and he doesn’t want to miss the story.

Everywhere I look, and, it seems, in everything I read, folks are trying to understand, articulate, or make their mark upon these changes. The “change” we’re living through is much deeper than the promises put forth by Barack Obama in the construction of a positive message for his campaign. Packer spoke of a “tectonic shift” that’s impacting every area of American life.

Journalism is transforming before our eyes. Newspaper after newspaper is folding, altering its processes, or drastically reducing its staff and, as a result, the depth and quality of its coverage.  Newsrooms everywhere are being forced by executives and bean counters to do “more with less.”  Yet as David Simon and others have noted, the notion that you can possibly do “more with less” is, for want of a better term, bullshit.  You do “less with less.”

From Boston.com

Unused newspaper racks clutter a storage yard in San Francisco, California. From Boston.com; image taken March 13, 2009. (AP Photo/Noah Berger)

As stark and clear as that point may seem, some legitimately see opportunity in the restructuring of American newsrooms. “Crowd-sourcing” and “citizen journalism” seek to take advantage of Web 2.0 technologies to tap into existing pools of knowledge to generate and disseminate information. Journalists — those still in the business — break into camps that are either horrified or energized by the prospect of outsourcing society’s news gathering responsibilities. The most serious of them struggle through the implications of such a direction, asking what will be lost, what will be gained, and what professionalization means in an era that empowers the voice of the amateur.

Clay Shirky recently published a much-discussed blog post about the state of newspapers, comparing our moment to the moment when the printing press was invented, and focusing on the chaotic nature of the transition from one world to another.

That is what real revolutions are like. The old stuff gets broken faster than the new stuff is put in its place. The importance of any given experiment isn’t apparent at the moment it appears; big changes stall, small changes spread. Even the revolutionaries can’t predict what will happen…

Shirky concludes that we don’t know, and won’t know for some time, what the future of journalism is going to look like.  The most important thing is that “we shift our attention from ’save newspapers’ to ’save society’.”  Then, “the imperative changes from ‘preserve the current institutions’ to ‘do whatever works.’”  What we need is lots of spaghetti against the wall, for “any experiment designed to provide new models for journalism is going to be an improvement over hiding from the real, especially in a year when, for many papers, the unthinkable future is already in the past.”  He acknowledges what’s lost by the death of newspapers, allows us space to mourn, but ultimately settles on the point that what matters most is journalism, not the form that it takes.  He also lays the lie to those who, in the name of entrepreneurship, self-servingly claim that they have a crystal ball rather than a handful of wet spaghetti.

Journalism is not the only realm in American life that’s standing upon shifting ground; higher education is also in the midst of a wrenching transition.  In The Last Professors: The Corporate University and the Fate of the Humanities, Frank Donoghue argues that the humanities professor many readers of this blog aspire to become is going the way of the newspaper, swept into the dustbin of history by the market forces and corporatization that increasingly restrict the choices available to well-meaning university administrators. He argues that the humanities aren’t in crisis; this would imply some future return to normalcy. Rather, a liberal arts education as a requisite component in the formation of an informed citizen, and the celebration of the university as the location where that process takes place, with the professor as a central figure, is dead.  A liberal arts education will increasingly become a luxury rather than the norm, replaced by vocational training and the transfer of skills that have only direct and measurable correlations to bottom lines.

Stanley Fish posted a reaction to Donaghue’s book in January, highlighing the rising percentages of undergraduate courses taught by part-time labor and the ascendancy of the “for profit” university, where information delivery is all that matters.  An earlier blog post from Fish glibly dismissed the value of studying the humanities altogether.  Doing so is its own argument, he says, providing or needing no external justification.  If the study of the humanities instilled in one the desire to learn the great moral lessons of the ages, Fish lamely argues, “the most generous, patient, good-hearted and honest people on earth would be the members of literature and philosophy departments, who spend every waking hour with great books and great thoughts… as someone who’s been there (for 45 years) I can tell you it just isn’t so.”

Fish finishes his meditation on The Last Professor with the observation that, thank goodness, he was born at the right time.  “Just lucky, I guess.”  Fish’s landing ultimately on his own good fortune contains none of the perspective evident in Shirky’s post. The possibility never dawns upon him that he might actually be in a position, from his lofty perch nestled just off the front page of the New York Times website and his influential provenance at two universities, to highlight or even demand an alternative trajectory in higher education.  He doesn’t seem to want one or think one is necessary.  He accepts the notion that the humanities has little “value added,” and returns to his study, satisfied by his ability to find support for his arguments in the schmuck-like behavior of some of his colleagues.

Does the sea change pinpointed by Packer and Shirky have relevance to the university of the future?  If Donaghue and Fish are correct, that future has been written, and those of us who’ve chosen to make our life studying and helping others study the humanities are just plain out of luck.

There’s ample evidence however that something similar to the revolution in journalism is happening in academia, though perhaps not so publicly and at a pace that’s less compressed.  This week the University of Michigan Press announced that it was going digital, a move that has consequences for the intense and troubled world of academic publishing.  Also, Mark Bauerlein, whose work on “kids these days” I have significant problems with, wrote a provocative paper about the future of higher education in which he argues “the coverage project is complete,” and that graduate schools and P&T committees should be putting more of an emphasis on good teaching.  I disagree with the first argument (admittedly, his statement was about literature and not history, which is my field, and which hasn’t been “covered”); but I concur wholeheartedly with the second.  Donaghue argues something similar when he notes that the culture of the professoriate, to its own detriment, has integrated an emphasis on competitive achievement and productivity that internalizes the values of the very market forces external to the university that find no use for the liberal arts.  Ultimately, Fish’s “I got mine” conclusions are frustrating because this is a moment when humanists should be reasserting the value of their disciplines to the intellectual life of the nation and, like Bauerlein attempts, proposing directions for the university of the future.

Implicit in the distributed community of educational technologists that I’m a part of — some have called us “edupunks,” but I no longer think that term is big or sufficient enough — is the sense that we are all together involved in shaping the best model of the future university.  I’ve long felt that the most compelling aspect of the 1960s — for all the positive and negative legacies that decade has bequeathed us — was the broadly dispersed sense that the future was up for grabs, and that one’s actions could help shape that future.

I see some of that same energy in the work of the Center for History and New Media at George Mason and the American Social History Project/Center for Media and Learning at the Graduate Center, which are creating new tools and paths for us to collectively look upon the past with fresh eyes.  I see it in HASTAC, which is fostering collaboration between academics, librarians, and scientists around innovative uses of technology.  I see it in Matt Gold’s brilliant multi-campus exploration of Walt Whitman’s career, which allows students and researchers across the country to better understand both this writer and the relationship between art and the context in which it is produced. I see it in the proliferation of campuses, like ours, that are exploring open source alternatives to the proprietary courseware model, propelled by the argument that local administration and support for teaching and learning with technology better serves the academic community.

Each of the above examples is student-centered, yet also allows space for the researcher to grapple with and reflect upon large questions. They benefit from supportive administrations that recognize the importance of giving scholars the opportunity to explore and develop new ways of thinking, learning, teaching, and connecting. They don’t necessarily attack the university of the past, but rather imagine a future where participants break out of restrictive silos of departmental politics and disciplines and the campus as we knew it to explore relationships with the world that are, at their core, humanistic.  These, it seems, must be core components of any vision of the future of the humanities.

Then again, maybe Fish and Donaghue are spot on, and those of us creating new courses, constructing new modes of learning in and across our disciplines, and digging through archives are punchlines in some cosmic joke.  I acknowledge that these examples offer no direct answer to Fish and Donaghue’s argument that the humanities won’t be valued and funded because they don’t contribute in obvious ways to the creation of wealth and, like it or leave it, our society prioritizes that question.  Yet the continued broad exploration of the humanities, like  journalism, is absolutely crucial if our society is going to strive towards a better version of itself.

Shirky’s articulation of our moment as a transitional and perhaps revolutionary one reminds us that the future is yet to be written. We all have a profound stake in working towards our vision.  We all need to pick up some wet spaghetti.

Missing Connections

Continuing with my subway theme and in light of our next Symposium topic, I found myself being very self-conscious of my eavesdropping on a conversation on the F train last night. What never fails to grab my attention in public places is Russian speech.   So there they were – a couple, in their thirties, discussing … and this is where I get tongue-tied because I couldn’t quite get the context of their conversation. I heard, “She goes to all the popular places in Moscow. … Why they’re together is a mystery to his parents, and to hers as well!” And then, oh how I hoped the guy would repeat the subject of “was the biggest mistake of my life. It was, really was the biggest mistake.” I was reminded of a wonderful passage from Rachel Cohen’s essay “Lost Cities”:

Walking in cities is an accumulation of small fragments of loss. A woman you want to keep looking at turns a corner; two people pass and you hear only, “It cannot be because of the child”; you look through a window at a drawing that looks like a print you have seen somewhere before, and it’s obscured when someone pulls a curtain across the window; a woman turns ferociously on the man standing next to her, but by the time you reach home you can no longer remember her face. – “Lost Cities”

Craigslist, of course, has attempted to assemble those fragments of loss in its “missed connections” section. Do you ever read that stuff? Doesn’t it make for a fascinating research topic?

Consultants and Therapists at Schwartz

Well, this is not exactly a post, rather a question I would like to circulate.

After our last general staff meeting, I went to the BPL workshop organized by Dusana. It was a most useful discussion we had, in the course of which, among other things, we talked about rehearsals in danger of  turning  into group therapy sessions with students. People had  brilliant ideas about balancing things out and setting aside a given amount of time in the course of each rehearsal to help students wind down. (Our own Zohra has a special technique, which we all found excellent, but, since she has the copyrights, further inquiries should be addressed to her. )

On this note, I would be curious if anybody else has a take on this. I personally find that I can relatively quickly gauge the inner dynamics of a group and vibe with them. It is the pedagogue in me who is watching the students, and  I act in the way I feel would be most productive to them. At times, I assume authority, but mostly I act like a peer who is very approachable and understanding about their issues and concerns (and, at times, they have a lot of those, related to their course, their professor, assignments, etc.). What always works is showing a great deal of respect to them. Once you grant them this respect, they will act up to it. However, besides being humane, I do not have any other more specific way of creating the atmosphere, so to say. Some people play a game, I thought about getting a bunch of fresh flowers in the rehearsal room, just to liven things up. (In my rush, I keep forgetting it, of course.)  Any other ideas? I know that professionalism is key here, but I do not think we jeopardize it by patting our students’ souls a little bit, do we? :)

Tips on How to Enjoy the Coming Depression

We’ve clearly been cursed by the Chinese, because these are extraordinarily interesting times. Financial markets are collapsing. Panic abounds. Budgets are shrinking (if not disappearing altogether). Funding is tight and getting tighter (as are our belts) and the outlook for the future is grim. Very Grim.

But let us not lose hope! We can make the best of the looming global depression with a few simple tips from Gabe Soria (a friend of mine from my Brooklyn days) and Joseph Remnant who give us a timely and remarkably hopeful comic entitled “Tips on How to Enjoy the Upcoming Depression,” which originally appeared in Arthur Magazine No. 32 (Dec 2008). Click on the image below for a larger, eminently more readable version. Click on that to zoom even further.

depressiontips32

Lessig on Remix

A couple of weeks ago I went to see Lawrence Lessig, the intellectual property rights expert, speak at the main public library with Shepard Fairey, the artist who created the famous red-white-and-blue poster of Obama.  Lessig was promoting his new book, Remix, which again tackles the impact of increasingly stringent copyright laws on creativity.  The panel was moderated by Steven Johnson, who also has a new book, which looks at the history of ‘sampling’ by artists in all media, and they had some interesting examples, including work by Thomas Jefferson.  Lessig said he’s pulling away from the Free Culture movement in the next phase of his career, and will be focusing instead on Corruption (yes, capital C).  I think by that he means big business’s unseemly influence on our legislative process.

One surprise for me was how articulate Shepard Fairey was, considering that he’s a visual artist, not a lawyer/professor like Lessig, who’s used to harnessing the power of words.  Maybe Fairey has gotten some practice, defending himself against the legal battle he’s in with the Associated Press over his use of the photo he tweaked to create his ‘Hope’ poster.  After the talk, I created a similar image of myself at the site Obamicon.me.  Try it, it’s fun, although I found it hard to come up with a single word I embody, promote, or aspire to, like ‘hope.’

Here’s a short clip drawn from the much longer talk they gave:

Lessig at NYPL

Against the rhetoric of the decline in student writing

For those who lament the decline in student writing skills, here’s a counter-example you might be interested in. In 2008, David Gold III published “Will the Circle Be Broken: The Rhetoric of Complaint against Student Writing” in Profession, and offered an argument that was not particularly new.  Instead of blaming a supposed decline in student writing ability on high school English teachers or our students, we as instructors and consultants need to find out why students may have difficulty writing and help them overcome it by giving them proven strategies.

His research caught my eye. Apart from juicy details illustrating how some professors publicly “sneer at” their students’ lack of passion for writing, Gold brings into light the direct comparison between the expository example of an elite student writer a century ago, a 1922 Berkeley freshman, and that of his own student:

“The choice of an automobile depends primarily upon the purse of the prospective purchaser. There are three classes of automobiles to be considered: the high priced, medium priced, the cheap cars. Each has its advantages and disadvantages. Cheap cars are not easy riding. Expensive ones are easy enough to ride in but their cost is prohibitive to the majority. The medium priced car strikes the happy medium: and decreases the disadvantages of each of the extremes while yet partaking of the advantages of each of them.” (Berkeley student, 1922)

And, from his own student:

“Today a super slim woman is the norm. As one 16-year-old-girl said, “How thin you are is associated with success and how big you are reflects low self-esteem and being unsuccessful” (Martino and Pallota-Chiarolli 103). However, the black community condones just the opposite. The ‘thick’ woman is idolized, being defined as having a large gluteus maximus and a big bust without excess fat elsewhere. This image is depicted throughout the hip-hop industry, representing that the average woman can be her normal weight and still be attractive. The most infamous example is Mo’nique, a big comedian who made a career out of embracing her size and has helped many big women everywhere to love themselves regardless of negativity. The hip-hop culture promotes physically diverse women that can do anything they put their minds to. The uniqueness of all women’s bodies is accepted.”

Even though Gold’s selection could be biased, given that these two samples have been chosen among many specimens and we do not know the contexts in which these students were writing — for example, what kind of prompt was given to each of them? — I still cannot help but admit that I see more lively effort or more “passion” in the second piece. It may also be my own bias from the perspective of today’s readership. But I also have to agree with Gold that we often forget the level of complexity of the tasks given in contemporary composition classes asking students to write “original, research-based arguments that synthesize and respond to multiple points of view, incorporate a variety of textual evidence, and seek to persuade a specific audience in a specific rhetorical context, in addition to following the conventions of edited English.” I have newfound respect for my students.

The Acceptance Speech: Anything Goes?

Via Getty Images

Via Getty Images

Before I watched the Academy Awards on Sunday, February 22nd, I read an article in The New York Times that put me in a critical frame mind.  The piece suggested that British public did not like the high emotions displayed by Kate Winslet when collected her other prizes for The Reader (she had already won a Golden Globe and a Bafta Award). As I watched the endless parade of quick monologues by art directors, sound engineers, and movie stars, I began to wonder — what are the conventions of the acceptance speech? Are there conventions? Most speakers had little more to convey than the usual litany of thank-yous. I noticed that some were very emotional while others were not. Some winners had prepared words, whereas some were clearly improvising. When it came Kate Winslet’s turn, she did seem moved, and I wondered if it was too much for her fellow Britons.

REUTERS/Gary Hershorn

REUTERS/Gary Hershorn

What had often captured my interest in years past was the possibility that winners would use their acceptance speech to deliver some sort of political message. Sean Penn met expectations, but also caused further puzzlement. After denouncing California’s Prop 8, the outspoken movie star said he was proud to live in a country that is “willing to elect an elegant man president.” During the last three weeks, I have been surprised never to see a word written about this curious remark either in print periodicals or in the blogosphere. Of all the things about Obama’s election that might make a person proud, why his elegance? Or, is it assumed that Penn meant “eloquent?”

Part of the thrill for me in award acceptance speeches that take a political stand is they remind us of the political realities awards themselves often serve to obscure. (By far the most devastating example of this was Harold Pinter’s 2005 Nobel Prize acceptance speech, in which he meticulously took apart any claims of moral high ground the U.S. might use to justify its War on Terror.) Praising Obama’s elegance would seem deranged as an act of political speech, but maybe as act of an award-acceptance speech — an Oscar no less — praising a president’s elegance is just the thing. Under the conventions of an awards acceptance speech, just about anything goes. The rule must be: we think you are good at what you do, so tell us whatever you want to tell us.

Blogging and Writing

I borrow the title of this post from a post of the same name by Irving Wladawsky-Berger.  Wladawsky-Berger has been one of my favorite bloggers for some time because of the breadth and depth of his writing and his useful pointers.

I bring this post to your attention because it examines the issue of blogging and writing, all to often written as blogging versus writing as if there was an either/or choice.

It’s worth a read for the useful ideas that we might find ways to pass on to other.