Reading scholarly journals is more of an acquired taste than a cherished pastime. Even the most devoted student of her field, I assume, doesn’t curl up by the fire with the latest issue of Critical Inquiry or devour the pages of PMLA late into the night.
In part, this is because the journal contributor’s purpose is not to rope in the semi-interested, semi-informed reader. Rather, she must demonstrate her erudition. She must meticulously, tediously lower a very tiny bucket down a very deep well of very specific knowledge, only to draw up a tiny new droplet and deliver it to an already flooded field. Of course such deliberate pacing and careful scholarship delight me when the article relates directly to my specific research interests. But when a journal article discusses something other than the five topics I know a lot about, I often wish the well were a bit shallower, the lowering a little quicker, and the bucket a great deal larger.
That’s why I’ve come to love what I’ll call “academic-ish” periodicals. I subscribe to Cabinet, a quarterly arts and culture magazine full of gorgeous, colorful images and polished, thoughtful, jargon-free prose. The articles, which vary in length, feature the kind of geeky historical and literary subjects I want to know more about without being weighed down by extensive
critical apparatuses. According to the magazine’s mission statement, Cabinet’s “hybrid sensibility merges the popular appeal of an arts periodical, the visually engaging style of a design magazine, and the in-depth exploration of a scholarly journal. Playful and serious, exuberant and committed, Cabinet‘s omnivorous appetite for understanding the world makes each of its issues a valuable sourcebook of ideas for a wide range of readers, from artists and designers to scientists and historians.” Agreed; I love its eclecticism and readability, for which it never seems to sacrifice depth.
I’ve also been regularly reading an online quarterly of what I can only term “scholarly journalism” called Common-Place. It features the research and ideas of historians, librarians, teachers, antiquarians,
grad students, and other scholars of early U.S. culture; it also includes reviews, news, and first-person anecdotes. The tone is informed and serious but lively and engaging. In the magazine’s own words, it’s “a bit friendlier than a scholarly journal, a bit more scholarly than a popular magazine.” As a student of early American literature, I find it wonderful—both light and dense, accessible and thought-provoking.
I came upon both of these alt-academic magazines via recommendations from like-minded friends, so I’m actively soliciting more suggestions from you, gentle reader.



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