It was a pleasure attending last Wednesday’s staff meeting. In addition to the usual yummy sandwiches and cookies, I was particularly impressed by Tom’s VOCAT demonstration and our discussion on whether the use of Micro PowerPoint and technology in general opens up new possibilities or sets the limits of our analytical thinking skills. It is probably not an either-or question. Since Kate, Luke, David, Mikhail, Deborah, and Anthony have already elaborated on this topic through their recent postings, it won’t be necessary to reiterate the points they already made. There seems to be a general consensus that “PP” is a kind of necessary evil that should be handled by skilled hands until a better tool is invented. I agree that PowerPoint and other animated presentation software have an advantage especially in a global setting since image and non-verbal means of communication oftentimes enable us to overcome language and cultural barriers.
I wonder, however, whether people have used PowerPoint or other multimedia presentation tools in English literature classes. I remember once in my Romanticism class the professor presented Blake’s illuminated poems in slides for us to read, which for me was quite a different way of “experiencing” poetry. It may sound counter-intuitive, but poetry might be the literary genre whose reading experience can be enhanced by certain visual aids due to the pictorial aspect of poetic language, which was illustrated by Horace’s phrase ut pictura poesis (“as is painting so is poetry”) or Derrida’s emphasis on the spatial dimension of writing. Do those in literature or humanities have any stories to share or any tips to offer regarding the use of multimedia resources in class other than film screening? Another question in my mind is, if creating bullet points and inserting animated graphs and charts for a PowerPoint presentation indeed can be considered a genre of writing, how do we incorporate it into the existing composition curriculum? I would like to hear your thoughts on this.



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