The Humanities Drive; Skills Ride Along

I am going to reveal a hope of mine; I have long kept this hope closeted, as it seems very likely to bring me disgrace. I hope that Writing Across the Curriculum and Communication Across the Curriculum programs might one day render Composition obsolete.

The development of a specialized knowledge of writing instruction has been one of the most important achievements of higher education in the last forty years. This specialized knowledge of how to teach students to write will remain important. In fact, the incredible utility of this knowledge means that it cannot be confined to specialists! The birth of WAC, analogous to the invention of the web-link, has the potential to completely transform the way we conceive of the essential material of higher education. No longer can we isolate writing instruction to language classes. Could this be the idea that reverses a hundred-and-twenty year trend of increasing specialization in the curriculum?

Okay. So, once again, I have resorted to polemic (here, in the form of a strange sort-of-Hegelean fantasy). However, my conviction is a serious one. The humanities are ill served by the teaching of writing prior to the more fundamental questions. Why are we here, what do we do, how do we form the bases for our beliefs? These deeper questions, which students ponder on their own, are seldom addressed in their course work in Humanities disciplines, even though these are the questions that motivate humanistic study.

I have, tentatively, shared these ideas with my colleagues. The ideas are not well received. “If you can’t write, you can’t think. How can you work on big ideas if you can hardly sort out your words into sentences or your sentences into paragraphs?”

Further confession: I am either so prescient or so far-fetched in my thinking that I even like to imagine WAC and CAC will lead to curricular solutions to the economic problems of today’s higher education in the humanities. There are too many graduate students. Graduate education takes too long. Professorships become scarce as institutions increasingly rely on adjunct- and other temporary appointments. Meanwhile, enrollments continue to climb, especially at junior and community colleges. A caste system has formed where only “the best” professors can teach original courses, and an underclass of highly educated professionals prepare the masses by running them through a byzantine system of prerequisites for contact with the elite specialists.

Specialization in the sciences is important. In the humanities, specialization is like a derivatives market; it takes something that has a basic function, and, in trying to increase the wealth this thing produces, it fouls the thing’s basic functionality.

Let every graduate teach what he wants, but have him also armed to teach writing. Instead of, “how can you work on big ideas if you can’t write a sentence,” let it be demanded, “how can you build advanced knowledge, if you can’t teach basic writing?” The system of levels and prerequisites will fall away. The humanities will drive, and skills will ride along.

Is this really such a disgraceful idea?

Against Grades and Grading

The majority of students from the Business school who come to the Schwartz Institute to rehearse their company or industry analysis powerpoint presentations seem to look at the rehearsal process as an opportunity to improve a necessary skill. This has been one of the most rewarding aspects for me of my work as a Communication Fellow: the students are always grateful for the help in improving their public-speaking skills. They are motivated by the idea that they are helping themselves. I like that I do not have to grade their work for them to see it as important.

The institution of grading students on an A through F scale has done a horrible disservice to education. It has falsely given the impression to generations of students that the teacher or the professor has some ultimate authority over the value of their work, as if their own assessment of what they were doing was somehow secondary. The result of this institution is a division among most students into two groups — a group motivated by competition and the drive for the teacher’s approval, and a group lacking in motivation with little interest in the teacher’s assessment. What is missing all too often among students in both of these groups is the sense that their education is their own.

I have found several methods of correcting this problem that work within the extant system. By far the best of these methods is to ask students to write self-evaluations. All teachers who have ever taught a graded course know that students approach them to apologize for not having completed an assignment — the proverbial “my dog ate my homework” moment. The self-evaluation taps into the students’ innate authority over their work which is too often evident only in their apologies. If you ask students to write about how they have approached the assignments of the class and you ask them to write about their own perceptions of their strengths and weaknesses, they very quickly begin to realize their own agency in the learning process and to begin take responsibility for their own education.

Of course the best thing, I think, would simply be to do away with grades and grading altogether. I know that for many people this suggestion amounts to advocating “mere anarchy.” Without the carrot and stick, there would be no motivation anywhere among students, no assessment, no accountability. It’s true that in all likelihood, the students who come to me to rehearse their powerpoint presentation are not motivated purely by their own desire to improve. Their presentations are graded and they want to get a good grade. Well, perhaps this is true. But in a time when the movement for standards has taken over every level of education, I find some comfort in recollecting a different ideal.

Let Us Now Propose Our Ideal University

Several weeks ago, an old friend of mine from my undergraduate days at Sarah Lawrence College (who, it should be noted, is about to enter a graduate program in Business Administration) sent me a link to a New York Times Op-Ed article. His comment was “this op ed is great. He’s basically saying that all universities should be like Sarah Lawrence.”

The editorial, “End the University as We Know It” by Mark C. Taylor, did not actually mention Sarah Lawrence College at all. The article does call for the end of the tenure system, of doctoral dissertations, and of the system of academic departments based on traditional disciplines such as Psychology, English, Philosophy, etcetera.

It is this last detail that must have reminded my friend of our alma mater.  That is, the curriculum at Sarah Lawrence is arranged around “problem-focused” topics (to borrow a phrase from Taylor’s editorial). Students can take courses such as “Surgically and Pharmacologically Shaping Selves” or “Contemporary American Politics: the 2008 Election in Context,” (two offerings from the 08/09 Course Catalogue) without being a Political-Science major or first taking introductory courses in medical anthropology. In addition, the way the professors are tenured — without rank — in disciplines rather than in departments allows for the fluid creation of new disciplines to adapt to changing fields of study. Disciplines such as Global Studies, Ethnic and Diasporic Studies, and Science, Technology and Society were created in all likelihood by interested faculty in extant disciplines. The college has no majors or minors. Every undergraduate takes a Bachelor of Liberal Arts degree. Some students choose to prepare for entry into law school or medical school or to design a highly specialized program suiting their own passions. However, the net effect of this curriculum is that the college graduates class after class of knowledgeable generalists.

That is the extent of the similarity between Sarah Lawrence College and Mark C. Taylor’s idea of a “university for the twenty-first century.” Sarah Lawrence does not grant doctoral degrees so his suggestions about how to revise the dissertation hardly apply. Taylor’s suggestion of ending tenure certainly is not exemplified by Sarah Lawrence where all faculty, in theory anyway, are tenured or on the tenure-track.

The idea to end the tenure system, radically distracting as it is from his other ideas, seems to me the only proposal that Professor Taylor puts forth in the article that would actually address the set of problems he starts out with — the failing economy of graduate education. Prior to the recent meltdown in the global economy, the problem of a glut of Ph.D.s for a dearth of tenure-track positions seemed to me a bit of a bugbear.  Daunted by the job market as a doctoral candidate and no stranger to exploitation as an adjunct, I nonetheless had felt curiously optimistic that after several years of grueling applications I could land that sought-after tenure track position somewhere in the United States. This optimism had been based on the impending retirement of the baby-boomers, however, and it shrank along with the Dow Jones Industrial Average and the value of all those 401k accounts. Reading this Op-Ed after a season of cancelled jobs and announced hiring freezes, I found myself sympathetic to Taylor’s polemical claim that “graduate education is the Detroit of higher learning” and also found myself for the first time oddly receptive to a proposal to end the tenure system. Certainly, mandatory retirement age seems like a reasonable idea.

For many years, I have been pondering the economics higher education. With the skyrocketing numbers of young people enrolling in college and especially junior college in the United States, there must be another way to increase the access of all these students to higher learning than exploitive adjunct labor.

Professor Taylor’s proposals seem unlikely to implemented any time soon. But maybe his example should be followed. I propose we all go out on a limb and imagine our ideal universities. What ideas do you have? Perhaps the existence of one college that has managed to become an elite institution without playing by the rules (besides having no majors, did I mention — no grades!) should inspire us with the value of the improbable.

The Acceptance Speech: Anything Goes?

Via Getty Images

Via Getty Images

Before I watched the Academy Awards on Sunday, February 22nd, I read an article in The New York Times that put me in a critical frame mind.  The piece suggested that British public did not like the high emotions displayed by Kate Winslet when collected her other prizes for The Reader (she had already won a Golden Globe and a Bafta Award). As I watched the endless parade of quick monologues by art directors, sound engineers, and movie stars, I began to wonder — what are the conventions of the acceptance speech? Are there conventions? Most speakers had little more to convey than the usual litany of thank-yous. I noticed that some were very emotional while others were not. Some winners had prepared words, whereas some were clearly improvising. When it came Kate Winslet’s turn, she did seem moved, and I wondered if it was too much for her fellow Britons.

REUTERS/Gary Hershorn

REUTERS/Gary Hershorn

What had often captured my interest in years past was the possibility that winners would use their acceptance speech to deliver some sort of political message. Sean Penn met expectations, but also caused further puzzlement. After denouncing California’s Prop 8, the outspoken movie star said he was proud to live in a country that is “willing to elect an elegant man president.” During the last three weeks, I have been surprised never to see a word written about this curious remark either in print periodicals or in the blogosphere. Of all the things about Obama’s election that might make a person proud, why his elegance? Or, is it assumed that Penn meant “eloquent?”

Part of the thrill for me in award acceptance speeches that take a political stand is they remind us of the political realities awards themselves often serve to obscure. (By far the most devastating example of this was Harold Pinter’s 2005 Nobel Prize acceptance speech, in which he meticulously took apart any claims of moral high ground the U.S. might use to justify its War on Terror.) Praising Obama’s elegance would seem deranged as an act of political speech, but maybe as act of an award-acceptance speech — an Oscar no less — praising a president’s elegance is just the thing. Under the conventions of an awards acceptance speech, just about anything goes. The rule must be: we think you are good at what you do, so tell us whatever you want to tell us.