Jumbo vs Small Class and students who sit and listen or click

December 14, 2010 By Leave a Comment

Listening Post: installation culled from real-time internet chat rooms, by Mark Hansen and Ben Rubin

It has been hard not to take the announcement that many level two classes at Baruch will become jumbo-sized next year—increasing from 24 to 50 or 100 students—as a rejection of my work and values, as well as my colleagues’. The more experience I have, both as a student, teacher, and consultant, the more I see a need for what I’ve come to think of as “communicative reciprocity”—listening or reading and acknowledging the uniqueness of a student’s work, the back-and-forth that fosters authority based on critique and reflection.

I’m not saying lecture and jumbo classes might not be effective, even best, in some situations. Many professors have brought great talent, knowledge, creativity, and hard work to covering a large amount of information succinctly, coherently, and vividly. And of course, this is all contingent, you can have a demagogue in a small class. (A student told me she didn’t want to turn in a paper to her teacher that stated an opinion that disagreed with his.) But it seems nearly impossible in a class of 100 or even 50 to have the kind communicative reciprocity that recognizes a student’s developing opinion as valuable, responds with respect and consideration, and encourages more bravery, exploration, and complexity.

Often when I help students with drafts of essays, their first impulse is to mimic the teacher’s opinion and way of speaking, or to paraphrase research they’ve found online. I ask students to tell me their opinion, and then ask them to support it. When I tell them to write down what they’ve said, or when I write it down as they speak and hand it to them as a sketch for their rough drafts, students often seem surprised. To them, their own thoughts don’t seem appropriate in a class assignment.

One professor who teaches a communication intensive Theater 1041 class asks her students  to write a theater manifesto. I met with one of this professor’s students to work on her paper, and as she developed her opinions into ideas about what she thinks theater should and could be in terms of political and cultural relevance, she told me: “This is a whole different way of thinking. I never do this.” Here is a student telling me she’d never before been asked to reflect upon and develop her own observations and ideas in college before this assignment. So it isn’t a stretch to suggest it possible that a student could get a BA at Baruch without ever being asked to develop, support, and explain her opinions—about culture, politics, economics, and ethics.

In a class of 100, or 50, how will teachers foster this kind of reflection? How will teachers read and make significant comments on student writing, and get to know each student well enough to meet them where they are, in order to support and challenge them? Without a significant amount of practice in communicative reciprocity, I think that we set students up to be receivers of opinion as well as information. In the communication intensive classes we support at the Schwartz Institute, we work to help students develop and present their own perspectives in response to an assignment. And we try to support professors’ efforts to include more student writing and presentations in their classes. It’s fine that in many other classes students show their knowledge through more multiple choice and short-answer responses. But Baruch lauds itself for the diversity of its student population, and what does diversity matter if in most of their work the same answer is right for every student? What is the value of diversity if we don’t recognize the importance of developing an inclusive, reflective, authoritative political voice of one’s own?

Filed Under: Baruch College, Communication Intensive Courses (CICs), Education, Oral Communication, Pedagogy

How Should the University Evolve?: Debate at Baruch, 11/18/2010

November 24, 2010 By Leave a Comment

Last Thursday, we at the Schwartz Institute hosted a debate between authors Anya Kamenetz and Siva Vaidyanathan, two of the most relevant and engaging thinkers about the current and future state of higher education. The discussion (billed by some as a “smackdown”) was moderated by Dean David S. Birdsell of Baruch’s School of Public Affairs. The video of the event is below in two parts: first the structured debate, and then the lively and at times confrontational Q&A:

How Should the University Evolve?, part 1 of 2 from BLSCI on Vimeo.

How Should the University Evolve?, part 2 of 2 from BLSCI on Vimeo.

The idea for this conversation emerged organically, from Anya and Siva themselves with a little help from the Twitterverse. (I tell the story of how the event came to be at the beginning of the first video, but it’s worth a quick mention here as a testament to the way public discussion on the Internet, this case in Twitter, can easily move to meat space and lead to something remarkable that will resonate in many ways for some time to come.)

In his keynote at the Digital University conference at the CUNY Grad Center in April of this year, Siva critiqued Jeff Jarvis’ and Anya’s arguments about what higher ed ought to look like. (The video of the entire keynote is here.) Several of us tweeting at the conference noted Siva’s critique. Anya, who saw that her twitterstream was now chock full of people talking about Siva’s dressing down of her argument, remarked that she wanted to know more and was up for a debate. I suggested having the debate at CUNY and both agreed (SIva publicly and Anya in a DM later).

Given everyone’s ridiculously busy schedules, it took a while to happen, but it finally did. We hope you find Anya and Siva’s conversation as stimulating and provocative as we did. Enjoy. Please feel free to comment.

Filed Under: Baruch College, Conferences, CUNY, Debating, edupunk, Higher Education, Liberal Arts, Technology, Web 2.0

The Anxiety of Print This Out

November 1, 2010 By 2 Comments

I have one student this semester whose first paper was one of the most befuddling pieces of writing I’ve ever read—literally every single word must have been a direct thesaurus transfer. I could tell that the student had a lot of really interesting ideas, but had fallen victim to the temptation to “invent the university by assembling and mimicking its language” (Bartholomae), and what was clear to me from reading this paper, was that the language of the university was incomprehensible to this student.

Before we’d even gotten the chance to sit down and discuss this paper in office hours, this same student posted to our class blog. The blog post was excellent—thoughtful and thought-provoking questions about Melville’s “Bartleby the Scrivener” were raised and parallels between Melville and the narrator were drawn (both of which showed a lot of critical thinking and perhaps even some outside research).  In other words, this student wrote one of the best blog posts of the semester.

I have many students who seem to inhabit many personalities as writers—the writer who keeps notes in his/her notebook, the blogger/social media aficionado, and the typed-up high stakes essay and hand in hoping for a good grade writer.  But, this phenomenon is nothing new—it is the “same old song” of multi-modal composing, and what Cynthia Selfe defines as “the literacy of technology,” or in other words, “the way people create and respond to information.” What is new to me, however, is this level of engagement and blogging proficiency. The last time I posted on here, I was trying to figure out why my students that semester were adamantly resisting my desire for us to blog. This semester, the blog holds some of the best writing my students do. In fact, I actually am not really able to imagine teaching without the blogging component because of the success I’ve had this semester.

Some observations:

  1. Students who are reticent in class are often the most active on the blog. Each student must blog at least once per semester, but this semester, students are just blogging whenever they want to–and it is all related to the course material.
  2. Students seem to be quick to comment and to ask each other questions. They also are quick to connect the course material to other things they experience in an average week–whether it be Jersey Shore or Carl Paladino.
  3. This course is a Great Works course. The literature we study is from the 17th Century to the present. The blog has enabled students to really connect with the material in an interesting way–they feel committed to its relevance to their own daily experience, despite the age and date of the writing.
  4. Students love to share media. They will force themselves into unexpected connections just to show their colleagues a youtube clip.

But, back to the writing. Is a blog’s real gift the ability to show students that they too can contribute invaluable ideas into a larger discourse community? How can we encourage students to take the writing they already do on the computer and bring it into their papers–substituting thesaurus-heavy prose for the natural critical narratives that emerge in a wordpress environment?

Filed Under: Baruch College, Blogs and Blogging, Pedagogy, Technology, Writing Across the Curriculum, Writing Instruction

Friendship and the Love of Art

October 15, 2010 By 1 Comment

Marian Seldes– actor, director, teacher, and journalist– was the guest lecturer at yesterday’s Clair Mason Women of Distinction Lecture Series. “Lecture” might be the wrong word to describe the event, however; Seldes, regal in a shimmering pink and purple flowery wrap-type dress (yes, hard to explain), presided over a fairly remarkable Q&A session. She began by putting her purpose right on the lectern: she was there to discuss the importance of the arts, and her career in the performing arts as about more than rewards and prizes: “To talk of theatre as friendship and love of the art.”

As if to illustrate this theme, Seldes had a posse of theatrical grande dames with her; seated in the front row were blockbuster stage actresses Angela Lansbury and Joan Copeland. Seldes would occasionally comment on their presence; “Angela, just seeing you there…calms me.”

Fantastic Four: Lansbury, Mason, Copeland, Seldes

After opening with a monologue by playwright John Arden about the blessings of art– “business and politics I leave to the crooks”– Seldes said firmly, “this is what I believe.” With that, she was done with her talk, and announced that she would answer any questions that anyone had– otherwise, she had not much else to say. As expected, the questions flowed from every corner of the audience, allowing Seldes to transfix with stories from her rich career, recollected with ample grace and humor; from her early aspirations as a ballerina, to studying with Sanford Meisner at the Neighborhood Playhouse (“you don’t have to be nice to teach acting, but you have to be demanding”), to her well-known roles in Edward Albee’s Three Tall Women and Peter Shaffer’s Equus, to her unfulfilled dream of playing Hecuba.

When asked by an audience member which women of distinction had made an impression on her own life, she recalled the head of Theatre at the Dalton School: “Her name was Mildred Geiger, and she was very important to me,” she said simply, and left it at that. While she was critical of the high prices of theatre tickets today, Seldes shaped a most non-judgmental, gratified, and appreciative theatrical figuration– one who is equally enthusiastic as a performer as well as an audience member. She is never bored at the theatre, she maintained, not even when watching a boring performance– there is always something, or someone, interesting to look at. “I think just watching other human beings is the most interesting thing I’ve ever done.” Soon, the final question was posed, there were flowers to present, and talk of a car waiting outside; time to go.

Later, I reflected on Seldes’s point of linking the individuality of actors to the plays they are in, taking the stance that the original cast is just one of the impossible-to-reproduce, ethereal aspects of the theatre. (When asked if Three Tall Women might be revived, she claimed it wouldn’t work without actress Myra Carter in one of the roles.) This insistence could make any of the younger audience members at yesterday’s talk pine for the opportunity to hop into the time machine and head for the box office circa 1967. I went home, curious for more Marian, and found a bizarre little trailer for a documentary on Seldes that somehow manages to capture just a piece of the intensity she brought to Baruch:

Filed Under: Art, Baruch College, Liberal Arts, Style Tagged With: , , , ,

Does the University Labor System Undermine Faculty Development Initiatives?

October 7, 2010 By 10 Comments

During my first conversation with a faculty member I’m supporting this semester, I was served a heavy dose of honesty. I asked, “What topics would you be interested in seeing addressed at faculty roundtables or professional development meetings?”

“Honestly, none,” he responded. “I’m an adjunct here. I’ll think you’ll find this is true of nearly everyone who teaches this course: we’re all part-timers, we’re all stretched very thin, and few of us have extra time to do anything outside of class time. Sorry.”

At first I was flabbergasted—I hadn’t even pitched a single idea yet, but there I was being rejected outright! But I quickly realized that the instructor was simply being frank about the difficult situation into which we put adjunct faculty members when we ask them to spend any extra time on a job for which they’re already underpaid. I remembered my years as an adjunct. Because I was teaching at two campuses on top of full-time doctoral work, my commute times alone prevented me from being as active as I would have liked outside the classroom.

The barriers that prevent contingent faculty from becoming truly involved in the university community and investing time in pedagogical development certainly represent one of the many intangible disadvantages of the two-tiered faculty labor system.

While the ultimate solution to this problem can only be to overhaul or at least improve the system, we humble WAC/CAC facilitators must work within the system—and I insist that we can. Here’s how to get even the most overworked part-timers involved in faculty development:

1)   Pragmatism: Emphasize the genuine usefulness of a professional development initiative. Presume that faculty don’t want to come to meetings, and give them reasons to change their minds. Compare the attractiveness of these two titles for the same professional development meeting: “Grading Rubric Basics” and “Cut Grading Time in Half and Double Student Satisfaction.” I was actually invited to the first meeting when I taught at a non-CUNY school. I did not attend.

2)   Resume-building: Involve faculty in planning the meetings. The team supporting Great Works does an excellent job with this: Ask the faculty, ideally a mix of full- and part-time, not only to suggest topics for the meetings, but also to prepare the meetings’ content. This is more than mere ego-stroking; faculty can use this experience for the service section of their CVs. I, personally, would do much more than a 10-minute presentation at a faculty meeting in exchange for a line on my CV. Other faculty will be more likely to attend too, since someone they know will be speaking.

3)   Bribery: Of course budgets are more or less out of our hands, but part-time faculty should, clearly, be paid for the extra time they spend on their jobs. If you can get someone to pay contingent faculty for their time, do it. If not… spring for donuts? If you do the latter, you may see me sneak into your faculty meetings.

Miniature Food - Crazy Donuts Set B
Creative Commons License photo credit: PetitPlat by sk_

Filed Under: Baruch College, Faculty Development

Audio of “Teaching With Blogs” Presentation

August 25, 2010 By 1 Comment

This past Spring I was pleased to moderate a panel at the Baruch Teaching with Technology Conference featuring three of Baruch’s most accomplished blogfessors: Mikhail Gershovich, whose Fear, Anxiety, and Paranoia course site made wide-ranging use of Blogs@Baruch; Paula Berggren, who’s done some of the most focused and interesting work on the system; and Zoe Sheehan Saldana, who’s a two-time reigning Blogfessor of the Year.

The session was well-attended and full of energy, and I think we touched on most if not all of the issues implicated in administering an online publishing platform at the College including pedagogy, resources, administration, and learning outcomes. BCTC was generous enough to record audio of the presentation and to post it to iTunes U, and it’s available below for your listening pleasure. For those of you who wonder what Blogs@Baruch is all about or just what it is I do around here, the audio below should answer some of your questions.

Teaching With Blogs

If you’d like to download this to your portable device for mobile edification, you can get the file here (if I link Cacophony will turn the link into an audio player): http://cac.ophony.org/audio/teachingwblogs.mp3.

Filed Under: Baruch College, Blogs and Blogging, Conferences, EdTech Tagged With:

Guerrillas in the Midst

May 28, 2010 By

This post originally was published at my personal blog, Bloviate. If you wish to comment, click on the title and add to the discussion there!

One of the secret missions behind my work with Mikhail Gershovich in developing an open source publishing platform at Baruch College is to gradually integrate into the school’s general education curriculum the deep, critical examination of how digital tools are changing the way we think and live. This curricular purpose is not currently present on any kind of scale at our college. Because of political realities at the school, we’ve very much built Blogs@Baruch in a haphazard, take-what-we-can-get kind of way, and we haven’t had the luxury of being systematic about the thing. But we’re now two years into our experiment, and we’re widely established enough throughout the college that we’re confident we will continue to operate. We’re now able to theorize what we’ve done and to strengthen our case for more attention to the types of curricular innovation we’d like to see.

Creative Commons License photo credit: jectre

Of course, we’re far from the only ones considering these questions, and we’re certainly not the only ones who’ve borrowed the terminology of revolution to cheekily make our case. Matt Gold has already done a fantastic job creating a hit-and-run guide to guerrilla pedagogy that delineates the tools, philosophy, and connective processes requisite at its core. Gardner Campbell has argued for a trajectory in liberal education towards the development of media fluency and in favor of a shift from both “signature pedagogies” to “pedagogies of signature” and from general education to generalizable education. Gardner has also spoken passionately about the role of movements around the integration of digital tools into the work of higher education in destabilizing the institutions at our center. Joss Winn and Mike Neary have written of “The Student as Producer,” connecting pedagogies that place the student squarely in the role of knowledge-maker within broader efforts to combat the corporatization of higher education and to reimagine a university that for once might be fully committed to the development of humanistic thinkers. Jeff McClurken has argued smartly that digital literacy is something that should be developed within the disciplines and shown how, though I’d guess he’d agree that such an approach does not preclude a broader college-wide addressing of these questions. And besides being actively involved in building the tools from the ground up, Boone Gorges has brilliantly theorized the structural similarities between the types of communication and personalized connections that happen within social media and the specific goals of a college’s general education program.

There are others, many others, who’ve been doing this type of work and thinking, and their models and theories are very much the fuel that propels us along our path.

Che Groom

Creative Commons License photo credit: 5tein

Blogs@Baruch has evolved along three broad publishing contours in its first two years, and each can be seen as a step towards developing a foundation upon which those in power at the College might do some tough thinking about how the general education could be reimagined. This said, I have no idea whether or not they might do this, or even when the gen ed was last revisited. But if they call, we’ll be ready to contribute what we’re learning.

Non-Course Publishing

We’ve become the go-to shop for folks at the College who want to get stuff online. Student publications, online magazines, faculty development sites, exhibits, extra-curricular project journals, document reviews using CommentPress, grant competitions and committee sites… we host them all.

Members of our community now recognize that they no longer need HTML skills to be able to publish to the web or CSS skills to control how what they publish looks. On the flip side, each of the individuals and groups involved in these projects has been forced to confront questions of audience, tone, purpose, tools, design, and connectedness. This has spurred conversations that otherwise might have been offloaded to a contracted web group, or might not have happened at all. The Schwartz Institute, through our nurturing of these conversations, has joined the staff of the Newman Library at the center of thinking on campus about the role of digital tools in the varied work of the college. This broad “culture of self-publishing” is raising the overall digital literacy of staff, faculty, and administrators at the College by creating and sustaining unavoidable engagement with the implications of doing professional and intellectual work on the open web. This engagement has been more incidental than systematic, but it’s been ongoing and persistent, and more and more people are taking part.

Course-based Publishing

Our most exciting work is taking place inside of courses. We’ve supported more than a hundred course sections over the last two years, and they are inspiring faculty members towards more experimental and experiential pedagogy. We’ve featured much of this work at Cac.ophony.org. Some courses are using Blogs@Baruch as little more than an open CMS, taking advantage of a flexible aesthetic to create a more intimate relationship between students and their engagement with course materials online. Others have used the system to explode students’ prevailing understandings of audience by creating and capturing collaborative writing through the integration of wikis, scaffolding research papers in public groups, or bringing in the voices of outside authorities. Many have used the power of writing for classmates’ consumption (and beyond) to raise the stakes of an assignment. Some have staged engagement with a difficult text through a dialogic close reading that evolves into performed knowledge about the themes of the work. Many have taken advantage of lowered barriers of entry to the production of multi-media work to create opportunities for students to engage with course themes and texts through video and other media, and then to write about how the process impacts their understanding of the genres engaged in the course. Most have embraced the connectedness of the web to integrate additional resources into their teaching and expose students to critical research methods.

These courses have done three types of work. First, they’ve produced models that are replicable within this college and beyond, and fueled a buzz and interest in teaching with digital tools that hadn’t been very present on campus until recently. Second, they’re helping us develop a local “community of practice” committed to dialogue around the implications of digital pedagogy, which has filtered into the faculty development initiatives already afoot at the Schwartz Institute. And, third and most importantly, these courses have worked to instill in students a critical sense of how to exist intellectually and professionally on the Web by spurring dozens of small conversations about online ethics, linking, sharing, identity, performance, knowledge building, collaboration, mashing, hacking, looking, listening, and learning. These conversations have not been systematized, but they’re most definitely happening.

Social Publishing

The third contour in which we’ve been working is social publishing. This is an infant compared to the two toddlers described above, and is based primarily in our work supporting Freshman Seminar, which draws all incoming students into conversations on Blogs@Baruch. I’ll spare you the details of how the project has evolved, which you can read up on by following this tag on Cac.ophony.org. We hope that our pending integration of BuddyPress will both challenge some of the alienation that happens on a purely commuter campus, and enable what Matt Gold has called “serendipitous connections” around shared interests that otherwise might not happen. Matt and George Otte’s framing and stewardship of the CUNY Academic Commons is very much our model for structuring and naming such a possibility. This coming Fall our first year students will be writing creative blog posts that integrate freely-available digital tools to examine their own processes of identity formation. In doing so, they will be sharing and connecting their experiences to others at the school and beyond, and also reflecting upon the choices they make and tools they use. This is non-credit bearing work, but we hope that it will provide for our students a critical base from which to use the web to engage and learn that they will carry through their four years at the College.

All of the above work intersects only incidentally with the formal general education curriculum at the College. And, yet, I think we can safely say that what we’ve built with Blogs@Baruch has impacted the generalizable education that our students are getting. What’s needed, however, is some kind of systematization, which will create more points of reflection and articulation, more staging towards digital and media fluency, and more buy-in across the curriculum. As guerrillas, we’ve made and built our critique while modeling an alternative approach to supporting educational technology that saves the College money and raises its profile. If we are indeed in the midst of the revolution that will remake higher education, then we stand with our colleagues at the vanguard, arguing that universities must embrace the core values of the open web, and work them systematically into curricula.

Filed Under: Baruch College, Higher Education

Once Again Back it’s the Incredible…

May 18, 2010 By 3 Comments

the blog animal, ZOE, blogfessor number one.

For the second straight year, we’re awarding the Blogfessor of the Year Award to Zoe Sheehan Saldana, of Baruch’s Fine and Performing Arts Department. The award comes with priority support from the Schwartz Institute on all online publishing endeavors. Of course, Zoe already has that because she’s so awesome.

Zoe developed three sites on Blogs@Baruch this academic year.  Last Fall, she did a Do-it-Yourself Publishing site that used FeedWordPress to syndicate nineteen individual journals where students documented making their own books from scratch (some digital, some not).

This Spring, she used a site in her Basic Graphic Communication course… here’s a description of her course and how she used her course blog from her “About” page:

…this course

This course introduces the graphic design process and methodology. Conceptual and creative thinking is stressed and understood through problem-solving assignments based on research, readings, and classroom demonstrations. The student is introduced to graphic design principles and exposed to historical and contemporary models and current standards of advertising and design. The Macintosh computer is included as the primary graphic design environment. This class is a prerequisite for all advanced Graphic Communication courses. Complete course guide available here, as a PDF file.

…this blog

This blog is a venue for presenting, exploring, and discussing work, ideas, and topics pertaining to the course.

And, finally, together we developed a site for the Focus on Photography Exhibit which served initially as a processing space for members of the Baruch community to submit photos that they wished to be considered for a physical exhibit (which opened last week at the Mishkin Gallery).  The site’s since evolved into an online companion displaying close to 200 images submitted by Baruch students, faculty, and staff.  The submissions process used the TDO Mini Forms plugin to collect information from applicants, allow them to upload their images, and then it published those images to password protected pages where the exhibit judges could asses them. After decisions had been made about which images were accepted for the physical exhibit and which were not, Zoe hacked the Monotone WordPress theme (ideal for photo blogging) to create the online exhibit, which will live beyond the one at Miskhin. The amazing photographic ability of Baruch folks is a topic for another post, but I encourage you to take your time and click through the exhibit to see the fantastic images these folks have captured.

What’s so great about Zoe, beyond her gracious personality and charm, is that she’s exactly what an educational technologist like me needs to get better at what I do: someone who asks questions that I don’t know the answers to, patiently awaits the answer, and works to arrive at a consensus around what can be done with the tools, time, and resources available.  She’s a great collaborator and a creative teacher.  And, as she showed in talks she gave at last year’s CUNY WordCampEd and this year at the Baruch Teaching and Technology Conference, she has a strong grasp of the pedagogical, political, and philosophical impulse behind what we’re trying to do with educational technology at the Schwartz Institute.  As her course blogs and her own art show, she’s an O.E.: Original Edupunk, and both Baruch and the Schwartz Institute are lucky to have her around.

image credit: lumax art

Filed Under: Baruch College, Blogs and Blogging, BLSCI, Pedagogy Tagged With:

Technical Changes Causing Cultural Changes. Yes and/or No.

May 13, 2010 By 3 Comments

This blog post is prompted by Clay Shirky’s argument at our 10th Annual Symposium. In his keynote speech, Shirky addressed the fast technical advancement we are experiencing globally and argued that these speedy technical changes are “causing cultural changes.” His thought-provoking point has stayed with me because I think that this cause and effect relationship deserves some untangling.

Doubtless that, as Shirky showed in his speech, as well as in his book, Here Comes Everybody, the increased access to the public fora of the internet has led to increased awareness of a vox populi able to perform organized action and carry out successful grassroots movements. The internet and sites like Facebook or Meetup has also contributed to a dramatic re-definition of the personal and the private by making public information hitherto perceived off-limits. Yet, do these changes amount to “cultural changes” indeed? Does the unprecedented flow of information via technical innovations affect our moral and ethical values, causing a profound shift in cultural norms, or does it lead “only” to changes in the way we continue to perform these values, adding speed and efficiency perhaps, without altering the basic structures of our various cultures? And shouldn’t we argue that, instead of having a unidirectional relationship between technical changes and cultural changes, these changes are mutually influential, meaning that given cultural norms also determine how technical innovations are being put to use in a given cultural context? Yes, there is a universalizing, levelling and westernizing effect that reaches across the globe affecting those with access to the internet while leaving what I assume is still the larger part of the world’s population relatively immune to such changes. And then we again end up with a rather elite western notion of things going our way without really bothering to note that while we do have a large share in the monopoly over the information highways, there are still many sideroads that remain unaffected by us.

Filed Under: Baruch College, Symposium, Technology

Storytelling and business ethics

May 12, 2010 By Leave a Comment

Bernard L. Schwartz spoke at the Schwartz Communications Institute symposium on April 30th. “I’m a capitalist,” he said, and a “big D democrat.” Schwartz narrated the financial crisis from the perspective of his own political and moral values, that a company has a responsibility to its employers, shareholders, and the public at large. He spoke about capitalism as a system in which work supports safety and human flourishing. This, I thought like a person seeing something she’d only read about in books for the first time, is a capitalist social democrat. But I heard the story Schwartz told first, not the ideology, the way he told the story was my introduction to a particular perspective, formed by experience and knowledge that I myself do not have.

This semester, a professor whose class I’m supporting asked his students to give their opinion on whether or not technological development should be regulated, if it should be up to corporations and market demand, or if government should intervene. The students’ opinions, values, and beliefs varied widely. I found everyone’s perspective intriguing and compelling. As with Schwartz, hearing individuals speak about their economic values and opinions humanized what have predominantly been abstract or historical economic concepts to me. Cass Sunstein’s point that the proliferation of media is making it less likely for people with different political affiliations to talk to each other seemed right, as I realized how exceptional this situation was for me.

While each of the students seemed insightful, willing to probe and test their ideas against other opinions and contradicting evidence, entirely capable of reflective judgment about economics and ethics, it was very clear to me that this was the first time they’d been asked this question in their time at Baruch. I looked at the listing of courses, and found a course called “Ethics, Economics and the Business System,” in the Philosophy Department, a 3000 level class. I wanted to make it a general requirement.

On a recent Charlie Rose show about Goldman Sachs, Newsweek writer and Princeton journalism and writing professor Evan Thomas was asked if the recent scandal is going to keep “the best and brightest” students from the firm.

April 27, Charlie Rose.

Charlie Rose: Is Goldman Sachs a place that the brightest that the smartest people coming out of universities want to go to work, if they want to go to Wall Street, that’s where they want to go?

Evan Thomas: I teach at Princeton, believe me Princeton kids want to go to Goldman. Oh yes, overwhelmingly, even more now. The message that’s Goldman is bad news has not filtered down to the class at Princeton, lemme tell ya. At Princeton pretty much everybody wants to go to Goldman Sachs.

Charlie Rose: What does that say about the values of kids in college today? That’s a question for a whole other show.

Evan Thomas: But I’m telling you, the mystique of Wall Street has not died, even as Congress tries to destroy it. Kids still. You know why? Cause they think it’s a sure bet. They still think if you go to Goldman, Goldman is going to navigate these waters. I’m still going to have a house in Greenwich and a boat.

Charlie Rose: And a G5.

Evan Thomas and Charlie Rose laugh.

Gillian Tett: But they also join it thinking, I can do it for a couple of years, I’ll keep my soul, and then I can get out with the money. Now one of the reasons why these emails (from one of Golman’s traders) are so fascinating is they illustrate very graphically the kind of conflicts joining Goldman Sachs would actually face. He hasn’t been there that long, he can see the contradictions and the hypocrisy of what he’s doing, and yet he’s still playing the game.

I wonder how much opportunity Baruch students have to explore their own ethical perspective. I’m teaching a public speaking class this summer, and hoping to make it a personal essay assignment. I wonder how often it comes up for Baruch students, as they make their way to graduation, and if professors here would echo Evan Thomas’s “overwhelmingly, even more” characterization of Princeton. I was glad that, from my limited experience, I wouldn’t.

Filed Under: Baruch College, Symposium
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