Archive for the 'edupunk' Category

Our Course Blog Will Eat Your Brains

One of our goals in supporting Blogs@Baruch is to generate new models for online and hybrid instruction. We encourage the faculty we work with to confront the challenging question of what’s made pedagogically possible by using an online publishing platform.

The potential answers are vast. They include, but are not limited to, extending the classroom by tying together face-to-face meetings; creating opportunities for the social consideration of course material; imagining a range of audiences; staging larger assignments; inviting and providing a platform for students to easily create and share work that is visual and/or aural in nature; providing a tool for nurturing, reinforcing, and tapping into the sense of community in a course; and, of course, easily sharing course materials with students.

Faculty who are relatively new to teaching with technology usually design course sites that take advantage of one or maybe two of the possibilities above. So, I have to give it up for Mikhail Gershovich and his students, who are absolutely killing it on the course blog for “Topics in Film: Fear, Anxiety, and Paranoia.” I’ve tried not to blog about this course blog because I don’t want to be seen as buttering up the boss. But when students showed up this week for a presentation dressed as zombies and attacked one of their classmates, I simply had to bite the bullet and write about this awesomeness.

They’re using their blog for a variety of purposes:

First, Mikhail uses it to share information with his students so that they can easily access course readings and find their way to a wide range of required and recommended films, compiled from disparate locations.

Second, the students are posting in a rotation to very specific prompts that he spent much time designing, and which mix an emphasis on close readings of text and film, allow students to write to reflect, and encourage students to find visual representations of their ideas.

Third, Mikhail has very much constructed the blog as a kind of social glue, tying students together by encouraging all to get Gravatars (though only some have… I’m surprised Dr. G hasn’t docked their grades), to comment regularly, and to write freely.

Fourth, the students will be using the blog to develop and present remixes or re-enactments of short sections of films they’ve engaged this semester, and will write to reflect upon how going inside the productive process impacts their perspectives on both the themes of the course, and the art of film overall.

So, kudos to this group: this is a ton of work they’ve taken on, and they’ve done so openly, creatively, and collaboratively. Mikhail has taken advantage of various support services in the most productive way, from the library’s subscription to the film repository Swank.com, to his Twitter network (where he crowd sourced ideas for films, readings, and discussion), to his awesome educational technologist — me — who he’s consulted on both technology and assignment design. We’re lucky to have their model to build upon.

I encourage you all to check out the site, and to scare the students by leaving some spooky comments.

*note: Jim Groom posted about this course blog simultaneously.

Blogs@Baruch Semester in Review: Part Three, Course Blogging

Blogs@Baruch was used in approximately two dozen courses this semester, in disciplines that included Fine and Performing Arts, English, Sociology/Anthropology, Journalism, Library Information Systems, Communication, History, and Management.

Screen shot 2009-12-16 at 4.43.13 PM

WPMu continues to provide a flexible platform for our faculty members to structure and explore online communication and composition in their courses. Course blogs this semester have been used to aggregate individual student portfolios in a Do-It-Yourself Publishing course, for students to share and comment upon Shakespeare Scene Studies, to blog about journalism internships (password protected), to write about food and sustainable agriculture, and to show off their multi-media reporting. Students have debated current events on a blog devoted to reading and discussing the New York Times (password protected), blogged about blogging as journalists, and added stories to Writing New York. Some faculty members have been using Blogs@Baruch as their course management system, while others have used it to try to create public writing opportunities for their students.

For a full listing of course blogs, see our “projects” page.

One project in particular embodied the excitement some faculty members and students bring to their work on Blogs@Baruch. Professor Shelly Eversley, in the English Department, had her American Literature students produce pod and vodcasts that analyzed texts they had encountered over the course of the semester. Buoyed by Cogdog’s “The Fifty Tools”, I did an hour in class on free digital story telling tools (including Voice Thread, Yodio, Gabcast, and Podcast People), and also gave some advice on how to construct a story that balanced narrative, analysis, and style. The students produced amazing work, which they collected here in advance of their voting for the initial American Literature Podcast Awards (the ALPs). They ended the semester with an awards ceremony, and have continued to post their thoughts about the class to the blog in the week since.

Here’s two of my favorite videos from the class:

[youtube]http://www.youtube.com/watch?v=xcU6_WH6mVI[/youtube]
[youtube]http://www.youtube.com/watch?v=GVXa_MM19-w[/youtube]

Prof. Eversley’s project exemplifies the useful energy that multimedia tools can help students invest in their coursework. These projects are not substitutes for the critical engagement with a text or a canon that some might argue can only be attained through writing an essay; rather, they are additional paths towards that engagement. These students were excited about showing off their work, used the city as a laboratory and an archive, helped each other master the technology, and showed deep engagement with their chosen texts. This is good teaching and learning, and we’re happy to support any faculty member who challenges herself and her students to use a variety of tools and literacies in their effort to produce knowledge.

Kudos to all of our intrepid faculty and their students for providing us with yet more examples of innovative pedagogy on Blogs@Baruch. We look forward to Spring 2010, and in particular two film courses that will be taught on the system. Blogfessors, come on down!

Blackboard, This Song is Not About You: More on CUNY WordCampEd

It has been two weeks since the first ever CUNY WordCampEd, an event co-sponsored by us at the Schwartz Institute, New York City College of Technology, and the Macaulay Honors College. I have been meaning to reflect on this remarkable conference in this space but, seeing as how way leads on to way, I haven’t been able to get around to it. Plus, the need for yet another reflection seemed to diminish as the days passed since several smart and insightful people have already blogged the event. NYCCT’s Matt Gold, York College’s Michael Cripps, and Dave Lester of George Mason University have posted excellent recaps of the conference. Jim Groom, our inimitable keynote speaker, wrote a powerful, very personal reflection on the day’s conversations and why they matter to CUNY, and our own Luke Waltzer recently posted to this blog a terrifically engaging and forward looking exploration of some of the ideas that animated the events of that day and, most importantly, what they mean to the future of instructional technology at CUNY.

This week, though, the Chronicle of Higher Education published a piece by Jeff Young on CUNY WordCampEd. Since the picture the Chronicle paints of CUNY WordCampEd doesn’t fully jibe with my experience of the event, I figured this was reason enough to enter the fray.

What’s especially striking about the Chronicle piece is that it presents CUNY WordCampEd as motivated by the flight of a cadre of CUNY professors from Blackboard to blogging software as an ad-hoc alternative. “The meeting’s focus,” writes Jeff Young, “was an idea that is catching on at a handful of colleges and universities around the country: Instead of using a course-management system to distribute materials and run class discussions, why not use free blogging software — the same kind that popular gadflies use for entertainment sites?”

I take issue with this description on a number of levels, not the least of which is that it trivializes the tremendous pedagogical power and content management capabilities of a fully-realized, highly extensible, open source web publishing platform like WordPress and characterizes the event as animated by a simple opposition: blogs vs. Blackboard. In fact, CUNY WordCampEd was driven by something much much bigger and far less simple: a collective recognition that 1) the open, social web offers rich possibilities for transforming teaching, learning and the sharing of knowledge and creative work that we are only beginning to tap in a meaningful way here at CUNY and 2) that proprietary, closed learning management systems (LMS), in addition to their various other deficiencies, cannot keep up with the ways in which the social web is continually changing.

A good deal of the conversation at CUNY WordCampEd revolved around three very different yet exemplary projects, all of which are either built on or incorporate WordPress Multi User (WPMu), the “blogging software” to which the Chronicle refers. These are the CUNY Academic Commons, a multi-faceted online community space for CUNY faculty and students that seamlessly integrates WPMu as well as several other open source tools; our own Blogs@Baruch, a publishing platform for Baruch College intended initially to enable faculty to facilitate additional occasions for student writing and founded on the principle that that any opportunity to write is potentially an opportunity to grow as a writer; and Eportfolios@Macaulay, an adaptation of WPMu that allows Honors College students to collect their work, reflect upon it, share it with others if they choose to, and keep it for posterity — it likewise allows faculty to holistically assess student work. None of these important projects were mentioned in the Chronicle piece. Neither was ScholarPress, a set of impressive course management tools for WordPress developed by Dave Lester and his team at George Mason University (the same folks that gave us Zotero and Omeka), which Dave demonstrated at the opening of the event. (If there was a true, similarly capable alternative to Blackboard as LMS discussed at the conference, this was it, gradebook and all.) By excluding any discussion (or even a mention) of these projects, the article reduces and simplifies the thrust of day’s discussion of open source tools so that it ultimately comes off as merely speculative and not rooted in actual, substantive work already underway here at CUNY (excepting, of course, of the recognition of the wonderful work Zoë Sheehan Saldaña is doing here at Baruch).

Though the themes of Blackboard as 1) replicating an outdated pedagogical model and 2) and barely working recurred throughout the day, the conference was much more about experimenting with open source web tools based on their own merit than as any kind of real alternative to Blackboard that could or should be adopted centrally. As we have seen in the Clarion article which Luke cites, CUNY’s flirtations with alternatives to Blackboard in the wake of repeated outages seem to be more about showing Blackboard Inc. that CUNY means business and is not to be taken for granted than they are about finding a real, viable, working alternative that enhances both teaching and learning. Jim’s cry to “Open up CUNY!” did not mean “let’s all dump Blackboard and start blogging.” Rather, it was a call to breathe into our use of technology for teaching, learning, and sharing the spirit of free access and openness on which CUNY was built. CUNY WordCampEd was not an occasion to think through ways blogs could displace Blackboard in the classroom, but, in his words,

to imagine the possibilities of an open source CUNY, a CUNY that is not only re-investing in people rather than corporations to steer the future of education for this space, but a vision of imagining the technology as a way to make visible and accessible the work happening at the most diverse collection of urban campuses in the nation: a vision of open education that trumps courseware or videos or blog posts, a vision that brings 22 disparate campuses into some real communication with one another fueled by a community that believes in the irrefutable value of open, affordable, and relevant education in the 21st Century.

CUNY WordCampEd was not about blogs. It was not about Blackboard. It was about CUNY. This may not be of interest to those readers of the Chronicle who do not yet care about what is happening at The City University of New York, but it matters to me and to all of us who learned so much from the presentations and the conversations at CUNY WordCampEd.

Wet Spaghetti

At the Harman Writer-in-Residence lecture at Baruch College on March 24, George Packer, who became well known through his reporting for the New Yorker on the invasion of Iraq, spoke of turning his focus to this country. We’re living through a period of remarkable change, he said — political change, economic change, cultural change — and he doesn’t want to miss the story.

Everywhere I look, and, it seems, in everything I read, folks are trying to understand, articulate, or make their mark upon these changes. The “change” we’re living through is much deeper than the promises put forth by Barack Obama in the construction of a positive message for his campaign. Packer spoke of a “tectonic shift” that’s impacting every area of American life.

Journalism is transforming before our eyes. Newspaper after newspaper is folding, altering its processes, or drastically reducing its staff and, as a result, the depth and quality of its coverage.  Newsrooms everywhere are being forced by executives and bean counters to do “more with less.”  Yet as David Simon and others have noted, the notion that you can possibly do “more with less” is, for want of a better term, bullshit.  You do “less with less.”

From Boston.com

Unused newspaper racks clutter a storage yard in San Francisco, California. From Boston.com; image taken March 13, 2009. (AP Photo/Noah Berger)

As stark and clear as that point may seem, some legitimately see opportunity in the restructuring of American newsrooms. “Crowd-sourcing” and “citizen journalism” seek to take advantage of Web 2.0 technologies to tap into existing pools of knowledge to generate and disseminate information. Journalists — those still in the business — break into camps that are either horrified or energized by the prospect of outsourcing society’s news gathering responsibilities. The most serious of them struggle through the implications of such a direction, asking what will be lost, what will be gained, and what professionalization means in an era that empowers the voice of the amateur.

Clay Shirky recently published a much-discussed blog post about the state of newspapers, comparing our moment to the moment when the printing press was invented, and focusing on the chaotic nature of the transition from one world to another.

That is what real revolutions are like. The old stuff gets broken faster than the new stuff is put in its place. The importance of any given experiment isn’t apparent at the moment it appears; big changes stall, small changes spread. Even the revolutionaries can’t predict what will happen…

Shirky concludes that we don’t know, and won’t know for some time, what the future of journalism is going to look like.  The most important thing is that “we shift our attention from ’save newspapers’ to ’save society’.”  Then, “the imperative changes from ‘preserve the current institutions’ to ‘do whatever works.’”  What we need is lots of spaghetti against the wall, for “any experiment designed to provide new models for journalism is going to be an improvement over hiding from the real, especially in a year when, for many papers, the unthinkable future is already in the past.”  He acknowledges what’s lost by the death of newspapers, allows us space to mourn, but ultimately settles on the point that what matters most is journalism, not the form that it takes.  He also lays the lie to those who, in the name of entrepreneurship, self-servingly claim that they have a crystal ball rather than a handful of wet spaghetti.

Journalism is not the only realm in American life that’s standing upon shifting ground; higher education is also in the midst of a wrenching transition.  In The Last Professors: The Corporate University and the Fate of the Humanities, Frank Donoghue argues that the humanities professor many readers of this blog aspire to become is going the way of the newspaper, swept into the dustbin of history by the market forces and corporatization that increasingly restrict the choices available to well-meaning university administrators. He argues that the humanities aren’t in crisis; this would imply some future return to normalcy. Rather, a liberal arts education as a requisite component in the formation of an informed citizen, and the celebration of the university as the location where that process takes place, with the professor as a central figure, is dead.  A liberal arts education will increasingly become a luxury rather than the norm, replaced by vocational training and the transfer of skills that have only direct and measurable correlations to bottom lines.

Stanley Fish posted a reaction to Donaghue’s book in January, highlighing the rising percentages of undergraduate courses taught by part-time labor and the ascendancy of the “for profit” university, where information delivery is all that matters.  An earlier blog post from Fish glibly dismissed the value of studying the humanities altogether.  Doing so is its own argument, he says, providing or needing no external justification.  If the study of the humanities instilled in one the desire to learn the great moral lessons of the ages, Fish lamely argues, “the most generous, patient, good-hearted and honest people on earth would be the members of literature and philosophy departments, who spend every waking hour with great books and great thoughts… as someone who’s been there (for 45 years) I can tell you it just isn’t so.”

Fish finishes his meditation on The Last Professor with the observation that, thank goodness, he was born at the right time.  “Just lucky, I guess.”  Fish’s landing ultimately on his own good fortune contains none of the perspective evident in Shirky’s post. The possibility never dawns upon him that he might actually be in a position, from his lofty perch nestled just off the front page of the New York Times website and his influential provenance at two universities, to highlight or even demand an alternative trajectory in higher education.  He doesn’t seem to want one or think one is necessary.  He accepts the notion that the humanities has little “value added,” and returns to his study, satisfied by his ability to find support for his arguments in the schmuck-like behavior of some of his colleagues.

Does the sea change pinpointed by Packer and Shirky have relevance to the university of the future?  If Donaghue and Fish are correct, that future has been written, and those of us who’ve chosen to make our life studying and helping others study the humanities are just plain out of luck.

There’s ample evidence however that something similar to the revolution in journalism is happening in academia, though perhaps not so publicly and at a pace that’s less compressed.  This week the University of Michigan Press announced that it was going digital, a move that has consequences for the intense and troubled world of academic publishing.  Also, Mark Bauerlein, whose work on “kids these days” I have significant problems with, wrote a provocative paper about the future of higher education in which he argues “the coverage project is complete,” and that graduate schools and P&T committees should be putting more of an emphasis on good teaching.  I disagree with the first argument (admittedly, his statement was about literature and not history, which is my field, and which hasn’t been “covered”); but I concur wholeheartedly with the second.  Donaghue argues something similar when he notes that the culture of the professoriate, to its own detriment, has integrated an emphasis on competitive achievement and productivity that internalizes the values of the very market forces external to the university that find no use for the liberal arts.  Ultimately, Fish’s “I got mine” conclusions are frustrating because this is a moment when humanists should be reasserting the value of their disciplines to the intellectual life of the nation and, like Bauerlein attempts, proposing directions for the university of the future.

Implicit in the distributed community of educational technologists that I’m a part of — some have called us “edupunks,” but I no longer think that term is big or sufficient enough — is the sense that we are all together involved in shaping the best model of the future university.  I’ve long felt that the most compelling aspect of the 1960s — for all the positive and negative legacies that decade has bequeathed us — was the broadly dispersed sense that the future was up for grabs, and that one’s actions could help shape that future.

I see some of that same energy in the work of the Center for History and New Media at George Mason and the American Social History Project/Center for Media and Learning at the Graduate Center, which are creating new tools and paths for us to collectively look upon the past with fresh eyes.  I see it in HASTAC, which is fostering collaboration between academics, librarians, and scientists around innovative uses of technology.  I see it in Matt Gold’s brilliant multi-campus exploration of Walt Whitman’s career, which allows students and researchers across the country to better understand both this writer and the relationship between art and the context in which it is produced. I see it in the proliferation of campuses, like ours, that are exploring open source alternatives to the proprietary courseware model, propelled by the argument that local administration and support for teaching and learning with technology better serves the academic community.

Each of the above examples is student-centered, yet also allows space for the researcher to grapple with and reflect upon large questions. They benefit from supportive administrations that recognize the importance of giving scholars the opportunity to explore and develop new ways of thinking, learning, teaching, and connecting. They don’t necessarily attack the university of the past, but rather imagine a future where participants break out of restrictive silos of departmental politics and disciplines and the campus as we knew it to explore relationships with the world that are, at their core, humanistic.  These, it seems, must be core components of any vision of the future of the humanities.

Then again, maybe Fish and Donaghue are spot on, and those of us creating new courses, constructing new modes of learning in and across our disciplines, and digging through archives are punchlines in some cosmic joke.  I acknowledge that these examples offer no direct answer to Fish and Donaghue’s argument that the humanities won’t be valued and funded because they don’t contribute in obvious ways to the creation of wealth and, like it or leave it, our society prioritizes that question.  Yet the continued broad exploration of the humanities, like  journalism, is absolutely crucial if our society is going to strive towards a better version of itself.

Shirky’s articulation of our moment as a transitional and perhaps revolutionary one reminds us that the future is yet to be written. We all have a profound stake in working towards our vision.  We all need to pick up some wet spaghetti.

EDUPUNK Battle Royale Pt. 4

As the battle goes on, the metaphor is tested. Part 4:

[youtube width="480" height="385"]http://www.youtube.com/watch?v=MU1AOhdlyBM[/youtube]

EDUPUNK Battle Royale, Pt. 2

Earlier this week, we gave you the first part of a conversation between Jim Groom and Gardner Campbell on edupunk. Here’s part 2 in which Jim and Gardner get a bit more animated and debate further the the appropriateness of the punk metaphor, address questions of leadership and the politicization of ed tech. Enjoy.

[youtube width="480" height="385"]http://www.youtube.com/watch?v=ci3rZhftkFo[/youtube]

EDUPUNK Battle Royale, Pt. 1

You might recall some discussion here of “edupunk,” a term coined by our old friend Jim Groom to describe approaches to teaching and learning that eschew mainstream, proprietary teaching tools in favor of open source technologies and do-it-yourself approaches. The term was, as some of you may recall, one of the New York Times’ Buzzwords of 2008.

edupunk

We give you, then, the first in a series of videos in which Jim and Gardner Campbell of Baylor University — a new friend whose deft facilitation at last year’s Symposium made a tremendous contribution — discuss of the ideas behind edupunk and consider the appropriateness of the punk metaphor for the sorts of things that the edupunk movement embraces, promotes, and celebrates. Enjoy. We’ll post new episodes as they become available.

Our visit with a slow blogger

EASY DOES IT Barbara Ganley, near her home in Weybridge, Vt., thinks of blogging as a meditative art form.

EASY DOES IT Barbara Ganley, near her home in Weybridge, Vt., thinks of blogging as a meditative art form. Photo by Caleb Kenna.

Some of us here at the Institute recently had the tremendous pleasure of sitting and chatting with Barbara Ganley, prolific blogger, educator, photographer, champion of social media for teaching and learning, and a great source of inspiration for the various and sundry edupunks we’ve been hanging around with lately. Barbara, who was recently profiled in the New York Times, is well known in the blogosphere as one of the voices that comprise the “slow blogging” movement. Like other slow bloggers, she uses her blog as a means of facilitating meditation and reflection rather than of delivering reportage. She writes long, thoughtful, meditative and sometimes infrequent posts that read more like artful reflective essays than typical, concise, rapid-fire blog posts.

An early adopter of online writing tools for pedagogical purposes, Barbara first used blogs in the classroom in the dark days of 2001 — coincidentally, on September 11 when students suddenly had the unfathomable to reflect upon. Since then, she has explored ways of employing blogs and other social media for a myriad pedagogical uses (both in and out of the world of academe)  and offers a tremendous wealth of ideas on realizing their exciting promise for teaching and learning. Having left the academy after almost 20 years, Barabara recently founded Digital Explorations, a non-profit organization that explores the impact social media and digital story-telling tools can have on rural communities.

We learned a ton from chatting with Barbara and hope to find another occasion to do it again.

By the way, the way we arranged for Barbara’s visit to the Institute is a great illustration of her now famous aphorism, “Blog to reflect, Tweet to connect.” Barbara had indicated via Twitter that she was heading  to NYC. I tweeted right back inviting her to come see us here at Baruch, she accepted, and there you have it.

Thanks, Barbara, for paying us a visit. Let’s work together soon.

On Edupunk

EdupunkCacophony’s good friend Jim Groom (right) has recently coined a term that has the edublogosphere all atwitter: edupunk. It probably runs counter to the meaning behind the word to note, impressed, that The Chronicle of Higher Education’s blog, “Wired Campus,” picked up Jim’s phrase. Punks probably don’t care much what the Chronicle’s got to say.

Edupunk (here are musings and run downs by Mike Caulfield, Stephen Downes, and D’Arcy Norman) is a new name for ideas that have been bouncing around the progressive edublogosphere for some time, namely, that higher education humanity needs an alternative to proprietary course management systems and the philosophy of teaching and learning that they implicitly promote. At the core of edupunk are older pedagogical stances unrelated to technology: an ethic of self-reliance, the valuation of student-centered experiential learning, and the rejection of the “banking concept of education.” Edupunk seeks to update and adapt these ideas within the rapidly evolving realm of edutech.

I’m coming a little late to this particular conversation (last week I was DIYing the walls of my house with a wallpaper steamer and buckets of paint– domesticpunk), and hope I can add something to the celebration/elaboration. Seems to me that “edupunk” is a useful term, though, like all metaphors, it breaks down in the end. It has successfully congealed and branded the thinking that’s at the core of the unease many of us working in this field have with the way things are done at most schools. It’s good that it’s been picked up by the Chronicle, and it’s fantastic that more people are finding their way to Jim’s blog these days.

I fear, however, that the attention to the phrase may distract from the work that produced it. For instance, I’ve been been trying to square the circle of my dislike for punk music and culture with my love and appreciation for the work of the cats who’ve rallied to this term. I see a rejectionist ethos and cliquish sense of superiority behind much punk music and culture, and I’m not sure that’s an accurate description of the edutech movement that I feel a part of. I’ve always been more of a funk and soul man myself, and think that the affirmation native to those genres, the love and depth of feeling at their center, are much more pleasant (and just as useful) rhetorical and political stances. A brilliant administrator I once worked with, wise enough to know what she didn’t know and to defer to folks like Jim and Zach Davis on all things digital, once said, “we want to use technology to seduce students to our pedagogical goals.” That seems more Barry White than Johnny Rotten.

In that spirit, I present: edufunk.


Creative Commons License photo(shop) credit: skywaltzer

edufunk500

Or, how about yet another metaphor: edujazz.I sense in the discourse around edupunk an appreciation for messiness, even a distaste for form. I’m not sure this lends itself to the best teaching. The pedagogy that I’ve been exposed to and have practiced as a teacher of history is much more like jazz… lay down a structure, and leave plenty of space for improvisation. This allows a variety of types of learning to happen in a classroom, acknowledges that both facts and the skills to interpret them are important areas to work on, and encourages our students to explore from within material that we’ve laid out with a set of goals in mind. I’m all for the “guide-by-the-side” approach to teaching… but the work that went into the Ph.D. I’m about to earn does qualify me, I think, to do a bit more than that at times.

This metaphor is translatable to how we, as instructional technologists, nurture critical approaches to online learning, particularly in how we can “seduce” talented teachers to experiment with new forms. Our Institute is incredibly lucky to have the autonomy to deploy and develop whatever software we deem pedagogically appropriate, so to a certain extent we are isolated from Blackboard. Baruch’s IT shop also recognizes that an institution of higher learning should offer a range of solutions to its community, even if those solutions compete with one another. BCTC blesses and supports our experimentation.

Yet Blackboard still runs wild at this university, and we are constantly engaging with faculty members and administrators who refuse to see the differences between the solutions we promote and what BB offers. BB’s appeal is in its antiseptic pre-fabrication, in the very fact that it doesn’t force faculty to take the extra steps to really consider how Web 2.0 and distributed learning open up new pedagogical possibilities. As a result, many faculty graft onto it existing modes of learning, fearful of allowing technology to “get in the way.” They get on Blackboard, get off, and move on.

Some faculty members do use Blackboard quite successfully, particularly for collaborative projects. Good teaching is good teaching, no matter where it happens or how it happens. Our job as instructional technologists, I think, is to explore the new possibilities and modes of learning that Blackboard happens to work against. If that software gives faculty members what they need to accomplish what they want, then so be it. But if faculty are interested in making full use of distributed learning, in continuing to learn themselves, and especially in truly empowering students, they need other solutions.

Edujazz, emphasizing structure and improvisation, can help reach out to faculty who are reticent to give up their control and jump into the pit with the edupunks. This argument evolves from my work in an academic service unit, where my job is to help a wide-range of faculty members experiment with this stuff. Such work requires, and benefits from, sensitive responses to their concerns. An anti-authoritarian, anarchic response will ultimately accomplish little. The DIY approach of edupunk is a great goal, but often times DIT– Do It Together–is necessary, and even preferable. Helping faculty members translate their pedagogical structures to a new environment goes a long way towards mollifying their concerns about the impact of technology on their students’ learning. The students, if the structure is sound, can handle the improvisation.

Now, behind the scenes, hell yeah, I’ll cavort with the punks. Jim’s named a movement, even if the contours of that movement still haven’t yet been fully defined. The politics of this stuff and the consideration of the logic of capital are deeply important, and should constantly be a part of the conversation. If a university is going to spend millions on a limited and problematic application, it should probably be able to explain why that solution is better than cheaper alternatives. I haven’t seen that done yet.

Until it is, there’s work to be done. So, edupunks, edufunks, eduheads, or whomever: keep doing your thing.