Archive for the 'Resources' Category

Critical thinking and text books

I recently led a workshop in an intro class where all the readings are from a textbook. These are frequently used in Sociology and Anthropology and I assume other disciplines as well. I myself never had textbooks when I was in college, and I’ve never used them to teach with. Frankly, I find them bland and overwhelming. They seem to present boiled down and flattened information as a series of facts.

To my credit I came up with an in-class exercise based on a segment of a chapter that allowed students to enter the content imaginatively, and I think it was rather successful.

However, I still have this major misgiving about how to use these books to foster critical thinking and I was wondering if anyone had thoughts or ideas about this. For instance, what are the benefits of using them? How can you liven them up? Where does argumentative and critical thinking come in?

reCAPTCHA: The Essence of a Distributed Knowledge Network

We’ve all come across a CAPTCHA, a challenge response test that web sites give viewers who are trying to register for an account, leave a comment, or perform some other task that might be vulnerable to spammers or bots.  They are useful because they can differentiate human from machine (Completely Automated Turing Test to Tell Computers and Humans Apart… don’t ask me how “turing” became a “P” in that acronym).

They look something like this:

These things are a minor nuisance, the price we pay to protect the sites we need from bombardment by unwanted traffic or use as a launching pad for spam attacks.  According to researchers at the School of Computer Science at Carnegie Mellon University, “about 60 million CAPTCHAs are solved by humans around the world every day. In each case, roughly ten seconds of human time are being spent. Individually, that’s not a lot of time, but in aggregate these little puzzles consume more than 150,000 hours of work each day.”

What if the time spent solving CAPTCHAs could be harnessed for productive purposes?  Thanks to reCAPTCHA, it can.

Carnegie Mellon is currently working with two organizations (the Internet Archive and the New York Times) to employ humans to decipher scans of text that are unreadable by OCR software (Optical Character Recognition).  If your site uses reCAPTCHA, your users can contribute to a major digitization project.  For details on how the technology works, click here.

This is the latest innovative effort to maximize productivity in a focused way by taking advantage of the reach of the web to congeal a distributed knowledge network.  reCAPTCHA has tapped into existing knowledge and processes to build yet more knowledge through another process.  All of us together are smarter than we are added up.

Brilliant work.

(Nod to Mikhail for the heads up about this technology.)

x Minutes of Freedom

From the Dept. of We Stole It From Lifehacker: Here’s a great idea for those of us needing to focus for chunks of time. An application for Mac OS X called Freedom helps keep your nose to the grindstone and away from Facebook, email, LOLCATZ, or whatever by disabling your internet connectivity for a designated period of time up to 6 hours. The developers have yet to figure out how to make an allowance for online library catalogs, the ability to IM your friend who knows everything, and the Olympics medal count.

Now that’s American ingenuity.

Finding New Contexts for the CPE Exam

Is there room for the CPE exam in humanities and social sciences classrooms? Should there be room?

Perhaps it is a common or at least recommended practice among professors to integrate CPE-like assignments into their courses if many of their students either have not yet taken or failed the exam.  Until recently I have not encountered in regular classes any assignments that came close to the CPE prompts.  I was in fact very surprised when the professor teaching the section of Great Works for ESL students shared with me her two-fold writing assignment that articulates the same goals and criteria as the CPE.  The subjects of this compare/contrast essay are of course literary texts.   I have not yet discussed the assignment with the students, but I am sure they’ll appreciate their professor’s effort to bridge the cold and scary CUNY testing world with the comfort of classroom learning.

Why bother when surely the tasks involved in the CPE exam require the level of critical thinking and writing abilities that develop gradually in different classes and through different activities in the course of their first few years in college?  But many students still dread the exam and postpone it for as long as possible.  Many do not always realize that attending a CPE workshop plays just one part, and probably not the largest one, in their exam preparation.  It is the work they do in their classes that truly prepares them for this test.  And perhaps reminding them about this through course materials that share the exam’s rhetoric would create a more positive and serious attitude not only toward the exam, but  toward college work in general. 

Revision Workshop

 On November 30th, Cheryl Smith and I will be giving a revision workshop at the CUNY’s WAC meeting.  The description of the workshop is pasted below.  We were thinking about distributing a bibliography of current research on the subject.  We’re just beginning to put it together and would welcome any suggestions.  

Working with the Draft: Techniques for Helping Students Revise

WAC practitioners traditionally argue that the best way to use writing effectively in our teaching is to scaffold assignments, moving from low stakes (or informal) free-writing and pre-writing to more high stakes drafting and revising of essays.  But once students have completed their first drafts of an essay assignment, how can we use those drafts as a teaching tool?  A teacher’s careful comments can certainly guide students in their revision process, but relying on this single technique may not always help students develop as self-sufficient, powerful, and active writers.  How can we help them understand the most fundamental element of writing-revision-and grow as confident and careful readers of their own and their peers’ work?  The session will take participants through a variety of student-centered draft revision activities that can be used in courses across disciplines. 

You Tube Democracy?

A few weeks ago, the democrats debated each other in front of a live audience, as usual, but also on millions of computer screens via You Tube. The format of this event, co-sponsored by CNN, was a bit different than usual. The internet users were invited to submit their questions on video as well, and those were played on a large screen and then the responses of each candidate were also posted online.

Is this format really a revolutionary new approach? I am sure it was meant to attract young voters, and offer a “fresh” approach to an old, tired way of doing things. But was this a successful attempt or simply a rehash of “same old” with a new technology attached to it? Jon Stuart’s Daily Show had a rather harsh critique of the idea and its execution.

More recently, the LOGO, LGBT channel, hosted a democratic presidential debate as well.

This was a live debate, where a couple of moderators asked the candidates questions about issues that the LGBT community cares about. It is also an innovative way of doing things, and certainly this type of event would probably not be possible 10 years ago. But there were no technological gimmicks here, and yet I think I learned more about the candidates’ opinions about a few specific things. In this particular case the technology of the You Tube/CNN debate did not contribute to providing information or clarifying the issues.

WAC/WID Terminology, Parts II & III

As promised, here’s the rest of that useful WAC/WID glossary from the CUNY WAC/WID Handbook. Again, please feel free to comment on any of these definitions.

High-Stakes Writing
High-stakes writing assignments are expected to be completed according to formal academic and disciplinary conventions and usually count for a significant part of a student’s grade; examples include essay exams, research papers, lab reports, and critical response papers. This term is generally paired with the term “low-stakes writing” (see below), and distinguished from informal writing that is often exploratory and non-graded. In Britton’s framework, the function of high-stakes writing would be “transactional,” that is, to get the business of college done.

Journal
Generally informal, journals can be a productive place for students to record their thoughts, experiences, questions, and informal writings throughout college, in all disciplines, as well as in their daily lives. A variation on the journal is a “double-entry journal.” Students write in two columns: the first column contains quotations from a reading; the second column contains their reactions or responses to those quotations. Many variations are possible. Students might be asked, for example, to use paraphrases or summaries in the first column instead of quotations. Triple-entry journals, in which the third column might be used for peer responses, research questions, etc., are also commonly used.

Language
To talk about writing is to talk about the uses and functions of language, as well as to talk about politics, history, and culture. All converge at CUNY, which is an extraordinary crossroads of languages: our students speak (and may write in) 131 first languages other than English.

Literacy

The term literacy refers to the ability to use language—to read, write, listen and speak. In recent years, educators and administrators have added “numeracy,” “multimedia literacy,” “information literacy,” and “quantitative literacy” to the literacies expected of college students. Of course, what it means to “use language” successfully is a cultural and political question.

Low-Stakes Writing
Low-stakes writing activities provide students with an opportunity to experiment with ideas, form, and style without the pressure associated with correctness. The term “low-stakes” represents the level of expectation that a student and instructor bring to a particular assignment, meaning that low-stakes writing should count very little (if at all) toward the student’s final grade, while high-stakes writing is presumably graded. Examples of low-stakes writing include: journals, reflective responses, and freewriting. Some argue that the more frequently students engage in low-stakes writing, the more confidence and expertise they will apply to formal, high-stakes assignments. In Britton’s framework, low-stakes writing would be “expressive.”

Minimal Marking
The principle behind minimal marking is that correcting each technical mistake is not the most useful way to respond to students’ work; minimal marking encourages a focus on the larger ideas the student is trying to communicate, and emphasizes responding to those. Faculty may choose to point out one or two recurring technical errors, but should focus their responses on the work as a whole. Many faculty are concerned that they spend a great deal of time marking and correcting grammatical and other technical errors, and proponents of minimal marking argue that this practice reduces the amount of time spent correcting, and therefore allows for a greater number of writing assignments. Moreover, some research has shown that students can be overwhelmed by too many comments, and have difficulty prioritizing and addressing them in effective ways.

Paper
Common college short-hand for a formal, graded assignment of a specific length. “Paper” covers a lot of ground, from “essay” to “report,” and is also often modified by adjectives like “research,” or “compare/contrast.” Some argue that WAC/WID provides a space for educators to reflect on the many assumptions that cohere around vague terms such as “paper” or “write” or “composition.”

Peer Review
Practice of having students read and provide comments and suggestions for each other’s writing. This is generally done in class in pairs or small groups. Also referred to as peer editing, peer review is often guided through the use of handouts or worksheets that assist students in reading others’ writing through various critical lenses.

Rhetoric
Rhetoric is the art of speaking or writing effectively, using the principles and rules of composition drawn from classical traditions, typically tied to the art of persuasion. Classical rhetoricians were interested in dividing rhetoric into its component parts. For example, Roman rhetorician Cicero identified five rhetorical components: inventio, dispositio, elocutio, memoria, and pronunciato. Early scholars and teachers of composition tended to discuss and teach rhetorical modes: persuasion, description, argument, compare-contrast, etc. More recently, WAC practitioners have focused on the rhetorical nature of all language, emphasizing the rhetorical dimensions and methods of the various disciplines. (For a set of definitions of rhetoric offered by rhetoricians both ancient and contemporary, visit this site.) All these approaches share the fundamental belief that a speaker or writer will use any given language more effectively if s/he is consciously aware of its rhetorical dimensions.

Scaffolding
Scaffolding is a term drawn, primarily, from the work of Russian cognitive psychologist Lev Vygotsky, to represent the centrality of social interaction in the development of cognition. The term has come to be used within education to refer to the ways in which complex projects can be broken down into manageable pieces, with the instructor/expert guiding the students/novices through the entire process, and encouraging students to move to higher levels of expertise. Faculty can monitor how students are developing their ideas throughout, and provide assistance if students encounter obstacles.

SWE (Standard Written English)

There exist many language communities within the larger rubric of the English language. SWE refers to that form of written English that is agreed upon by most publishers, colleges, and standardized tests to be the most “correct” and thus most understandable by all speakers and users of English regardless of differences in dialect or usage. This variant is sometimes called “Standard American English” (SAE), as well. The debate about how to teach what students need to know to gain fluency in Standard Written English (see below) is an important, current cultural, political, and historical debate throughout the English-speaking world.

WAC/WID Terminology (Part I)

Here’s more from the CUNY WAC/WID handbook. Useful stuff I hope. Please feel free to comment on any of these definitions. Parts II and III are forthcoming.

Common WAC/WID Terminology (Part I)

Audience
This term is used to define those for whom a piece of writing is intended. The identity of the audience shapes the writing, as writers adapt their tone and content to the situation. It is especially important to keep in mind the difference in audiences implied by discipline (the audience for a lab report, for example, is different than that for a performance review).

Essay
In the classical sense, an essay is a text in which the first-person singular comments upon—questioning, debating, arguing about—a subject. Although “essay” is often used interchangeably with “paper,” the term properly refers to a type of writing that blended the personal with the academic. As a verb, “essay” means an initial, and sometimes tentative, attempt—a “try.”

Expressive, Transactional, Poetic Uses of Language
Britton and his team developed a framework for classifying school writing, based on sociolinguistic theories of the functions of language (drawn primarily from the work of linguist Roman Jacobson). They were concerned that most school writing was written to the “teacher-as-examiner” and that students were not encouraged to try out the whole linguistic keyboard. The three categories of language function, according to Britton in Development of Writing Abilities, are:

    1) expressive—writing that is “close to the self,” representing the “ebb and flow” of a writer’s thoughts and feelings.
    2) transactional—“language to ‘get things done’ or participate in the world’s affairs . . . to inform, persuade, or instruct.”
    3) poetic—“writing as a verbal construct, a patterned verbalization [poem, story, song, etc.] of the writer’s feelings and ideas.”

Error
Error is closely connected to the study of grammar, basic writing, and ESL. Error analysis is a technique for identifying possible underlying causes of mistakes in sentence structure, verb form, etc. The identification of recurring “patterns of error” in a writer’s text is a widely used pedagogical tool to reduce a seemingly large number of errors to a handful of teachable categories of error (subject-verb agreement, possessives, etc.).

Freewriting

Freewriting is an informal writing activity in which students write “freely” without concern for grammar, punctuation, and other constraints. Freewriting is often considered a staple in composition pedagogy: typically, students are directed to write in class without stopping for a set period of time (usually just a few minutes). An instructor may specify a topic or leave it entirely up to the students. What is done with the writing varies widely: the texts may be read out in class to prompt discussion, or used as a source of ideas for another writing assignment, or not used directly by the instructor at all.

Grammar, Usage, and Mechanics
Grammar is the study of how words and their component parts combine to form sentences; the system of rules inherent in any language (from the American Heritage Dictionary, 3rd Ed). Grammar is structure, form, syntax; by the time children are four or five, they’ve “got” the structure of the language they hear all around them. Grammar needs to be distinguished from usage and mechanics. Usage refers to the way in which language is conventionally applied within the culture and reflects an awareness of one’s audience. Voice and word choice, for instance, will depend upon the formality/ informality of the writing situation and may derive from disciplinary standards as prescribed by particular style guides as MLA, APA, or the Chicago Manual of Style. Mechanics include the technical aspects of writing, such as spelling, capitalization, and punctuation.

From the CUNY WAC/WID Handbook

Here’s something useful and informative from the brand new CUNY Writing Across the Curriculum/Writing in the Disciplines Handbook:

Summary of Key WAC/WID Concepts

The original groundbreaking idea for writing across the curriculum came out of England in the late 1960s, and was focused on the relationships between writing and learning in the schools. In 1975 James Britton and his colleagues published a report of their foundational research in The Development of Writing Abilities (11-18). In the United States a number of composition scholars, building in part on their British predecessors, provided an institutional shape to writing across the curriculum initiatives.

What follows is a quick overview of issues and debates that mark the development of this movement.

WAC, WID, WIP:

Some academics and administrators use the following terms and acronyms interchangeably: Writing Across the Curriculum (WAC), Writing in the Disciplines (WID), and Writing in the Professions (WIP). For others, the terms are pedagogically, historically, and politically loaded.

Broadly speaking, the central premise behind WAC is that students need to write, informally and formally, in all of their courses (not just in English and composition classes), in order to develop expertise as academic writers. WAC is often considered a pedagogical movement, working to change modes of learning and teaching, particularly the reliance on multiple choice and short answer modes of assessment. Participants argue that WAC not only makes students stronger writers, but also provides more opportunities for students to integrate their learning across the disciplines. They also claim that there are writing experiences and exercises that cut across the disciplines.

Proponents of WID, on the other hand, have argued that the WAC programs that developed in the United States should be more focused on writing within disciplinary frameworks rather than writing as a “process” that is often decontextualized, too focused on expressive writing, and overly personal. WID, therefore, privileges disciplinary contexts and representational forms and styles, recognizing the particular modes and conventions within specific academic discourses. As an extension of WID, Writing in the Professions (WIP) focuses on writing within specific professions, rather than disciplinary bodies of knowledge.

WAC/WID at CUNY encourages the colleges to develop programs that situate writing across and within all academic departments and programs, spanning the disciplines and professions.

I’ll be posting a few choice items from the handbook in the next few days. Next up: Part 1 of the WAC/WID Glossary. Many thanks to CUNY’s 2007-2008 WAC/WID Planning Committee for putting the handbook together. Very useful stuff for us WAC/WID types.

Pikelets, crumpets, dialects and accents

soundsfambanner.jpg

I have just found Sounds Familiar?, a fantastic website and have spent much time playing with it. It reminds me of the George Mason University Speech Accent Archive.

The site contains numerous recordings from the British Library of regional accents and dialects from every corner of the UK–some recorded as far back as the 1950s and many recent recordings up until 1999. There is a section on phonological, grammatical, social, and lexical variation: this means you can pick a region on the map and hear and learn about how a given pattern of speech developed, or how it fits with the language spoken in the rest of the UK. You can submit to the database and analyze your own accent, if you are British. You can spend hours clicking on the map of the UK to hear how words are pronounced across the region and how dialects change over time and space. Apparently, there are more than 150 audio clips of Geordie – the dialect of Newcastle-upon-Tyne – arguably one of the most recognizable dialects in Britain. You may want to hear how ethic minorities pronounce British English (check out the sound files for Asian English Phonology), or practice your Received Pronunciation, if you are feeling proper.

It is an interactive site allowing you to investigate how the language changes and progresses over time, using learning modules suited to college or high school students. In fact, the entire site is nested in the website of the British Library, and if you venture into the rest of the site, you’ll find all kinds of treasures.

The Sounds Familiar site is fairly new, hence this Guardian story about it.

The article ends with this passage:

Language evolves for many reasons - even something as superficial as the hegemony of supermarkets, as any Midlander trying to buy a pikelet will tell you. In Sainsbury’s it’s a crumpet or nothing. But change is not something to be judged or mourned; it’s something to be observed and understood. The purpose of the website is to document the history of language - with schools and universities invited to become part of the process by sending in their own regional recordings. As Upton says, “We’re not in the business of preservation. The only language that doesn’t change at all is a dead one.”

I know that there are some for whom this is not a self evident truth and in fact this statement invites controversy. But for those of us who accept it, I think it has implications for how we teach, communicate, and think about pedagogy, especially in a universe as diverse as CUNY and Gotham. Doesn’t it?

And for dessert, and since we are talking about accents, check out this truly bizarre, yet funny, (?) clip: