Cacophony’s good friend Jim Groom (right) has recently coined a term that has the edublogosphere all atwitter: edupunk. It probably runs counter to the meaning behind the word to note, impressed, that The Chronicle of Higher Education’s blog, “Wired Campus,” picked up Jim’s phrase. Punks probably don’t care much what the Chronicle’s got to say.
Edupunk (here are musings and run downs by Mike Caulfield, Stephen Downes, and D’Arcy Norman) is a new name for ideas that have been bouncing around the progressive edublogosphere for some time, namely, that higher education humanity needs an alternative to proprietary course management systems and the philosophy of teaching and learning that they implicitly promote. At the core of edupunk are older pedagogical stances unrelated to technology: an ethic of self-reliance, the valuation of student-centered experiential learning, and the rejection of the “banking concept of education.” Edupunk seeks to update and adapt these ideas within the rapidly evolving realm of edutech.
I’m coming a little late to this particular conversation (last week I was DIYing the walls of my house with a wallpaper steamer and buckets of paint– domesticpunk), and hope I can add something to the celebration/elaboration. Seems to me that “edupunk” is a useful term, though, like all metaphors, it breaks down in the end. It has successfully congealed and branded the thinking that’s at the core of the unease many of us working in this field have with the way things are done at most schools. It’s good that it’s been picked up by the Chronicle, and it’s fantastic that more people are finding their way to Jim’s blog these days.
I fear, however, that the attention to the phrase may distract from the work that produced it. For instance, I’ve been been trying to square the circle of my dislike for punk music and culture with my love and appreciation for the work of the cats who’ve rallied to this term. I see a rejectionist ethos and cliquish sense of superiority behind much punk music and culture, and I’m not sure that’s an accurate description of the edutech movement that I feel a part of. I’ve always been more of a funk and soul man myself, and think that the affirmation native to those genres, the love and depth of feeling at their center, are much more pleasant (and just as useful) rhetorical and political stances. A brilliant administrator I once worked with, wise enough to know what she didn’t know and to defer to folks like Jim and Zach Davis on all things digital, once said, “we want to use technology to seduce students to our pedagogical goals.” That seems more Barry White than Johnny Rotten.
In that spirit, I present: edufunk.
photo(shop) credit: skywaltzer
Or, how about yet another metaphor: edujazz.I sense in the discourse around edupunk an appreciation for messiness, even a distaste for form. I’m not sure this lends itself to the best teaching. The pedagogy that I’ve been exposed to and have practiced as a teacher of history is much more like jazz… lay down a structure, and leave plenty of space for improvisation. This allows a variety of types of learning to happen in a classroom, acknowledges that both facts and the skills to interpret them are important areas to work on, and encourages our students to explore from within material that we’ve laid out with a set of goals in mind. I’m all for the “guide-by-the-side” approach to teaching… but the work that went into the Ph.D. I’m about to earn does qualify me, I think, to do a bit more than that at times.
This metaphor is translatable to how we, as instructional technologists, nurture critical approaches to online learning, particularly in how we can “seduce” talented teachers to experiment with new forms. Our Institute is incredibly lucky to have the autonomy to deploy and develop whatever software we deem pedagogically appropriate, so to a certain extent we are isolated from Blackboard. Baruch’s IT shop also recognizes that an institution of higher learning should offer a range of solutions to its community, even if those solutions compete with one another. BCTC blesses and supports our experimentation.
Yet Blackboard still runs wild at this university, and we are constantly engaging with faculty members and administrators who refuse to see the differences between the solutions we promote and what BB offers. BB’s appeal is in its antiseptic pre-fabrication, in the very fact that it doesn’t force faculty to take the extra steps to really consider how Web 2.0 and distributed learning open up new pedagogical possibilities. As a result, many faculty graft onto it existing modes of learning, fearful of allowing technology to “get in the way.” They get on Blackboard, get off, and move on.
Some faculty members do use Blackboard quite successfully, particularly for collaborative projects. Good teaching is good teaching, no matter where it happens or how it happens. Our job as instructional technologists, I think, is to explore the new possibilities and modes of learning that Blackboard happens to work against. If that software gives faculty members what they need to accomplish what they want, then so be it. But if faculty are interested in making full use of distributed learning, in continuing to learn themselves, and especially in truly empowering students, they need other solutions.
Edujazz, emphasizing structure and improvisation, can help reach out to faculty who are reticent to give up their control and jump into the pit with the edupunks. This argument evolves from my work in an academic service unit, where my job is to help a wide-range of faculty members experiment with this stuff. Such work requires, and benefits from, sensitive responses to their concerns. An anti-authoritarian, anarchic response will ultimately accomplish little. The DIY approach of edupunk is a great goal, but often times DIT– Do It Together–is necessary, and even preferable. Helping faculty members translate their pedagogical structures to a new environment goes a long way towards mollifying their concerns about the impact of technology on their students’ learning. The students, if the structure is sound, can handle the improvisation.
Now, behind the scenes, hell yeah, I’ll cavort with the punks. Jim’s named a movement, even if the contours of that movement still haven’t yet been fully defined. The politics of this stuff and the consideration of the logic of capital are deeply important, and should constantly be a part of the conversation. If a university is going to spend millions on a limited and problematic application, it should probably be able to explain why that solution is better than cheaper alternatives. I haven’t seen that done yet.
Until it is, there’s work to be done. So, edupunks, edufunks, eduheads, or whomever: keep doing your thing.
Recent Comments