Careful What You Ask For

As a strangely apropos segue from my previous post about the potential dwindling of long-form writing assignments, I am happy to announce an upcoming event at the Bernard L. Schwartz Communication Institute, organized by Linell and myself. We have invited Dr. Ken Nielsen to spend the afternoon with us in an interactive workshop session that attempts to tie together questions of designing writing assignments and communication-intensive pedagogy. Can we have it all? Can we have it all without running ourselves ragged?

Dr. Nielsen will be returning to his old stomping grounds for this special event; he is a proud graduate of the CUNY Graduate Center’s PhD program in Theatre, and a former Assistant Director of Writing at Queens College. He currently teaches in the Writing Program at Princeton University. We hope you can join us for an afternoon of questioning and strategy sharing.

Careful What You Ask For:  Designing Efficient Writing Assignments for Communication-Intensive Courses

Wednesday, April 13, 3-4:30pm, 137 East 25th Street, Room 323

Writing assignments are one crucial way to manage the quality of writing instruction in classes that are supposed to teach both content and communication skills. By carefully designing assignments of varying degrees of difficulty—from simple low-stakes in-class writing to the final research essay—and implementing them throughout the semester, writing becomes not simply a mode of evaluation but of learning. When we analyze writing assignments from across the curriculum it often becomes clear that the reason our students are not performing to their fullest capability is partly due to the assignments they are given. The old warning to be “careful what you ask for, because you may end up getting it,” will guide us as we discuss our own writing assignments, balancing and incorporating writing with oral communication, and using the assignments strategically to balance our own workload.

Presented by the Bernard L. Schwartz Communication Institute and led by Dr. Ken Nielsen, Lecturer in the Princeton Writing Program, this hands-on workshop will address best practices in writing assignment design. Participants are encouraged to bring a copy of one of their writing assignments to this workshop.

Tea and refreshments will be served. Adjunct faculty will be paid at the non-teaching rate for their participation.

RSVP by email to hillary.miller [at] baruch.cuny.edu

Presenter

Ken Nielsen, lecturer in the Princeton Writing Program, has taught communication-intensive theater classes at Baruch College, writing-intensive American literature and composition classes at Queens College, and is currently teaching his interdisciplinary writing seminar, “Secrets and Confessions,” at Princeton University. Nielsen was previously the Assistant Director of Writing at Queens College.

Triumphing Over Your “Little Hater”

My favorite hip-hop vlogger Jay Smooth has eloquently described those nagging voices that reside inside the heads of people who do creative work as  “little haters.”

[youtube]http://www.youtube.com/watch?v=0TpmJgSfZ_8[/youtube]

He even wrote a song about his:

When I’m writing, my “little hater” tells me I need to find a fifth or a sixth corroborating piece of evidence before I can make a claim, and even after I do, the damn thing still comes out tentative.  He sometimes makes me think that the idea that I just came up with can’t be anywhere near as good as I originally thought because, well, I’m the one who came up with it.  Someone else probably wrote something similar somewhere else, and I just haven’t seen it yet.

I’ve about had enough of this bastard getting in my way.

Sometimes, when I need get a post up on this blog, I start writing about interests that I don’t get to explore when I write reports, papers, proposals, or emails.  It’s possible to tie almost anything into that topic taped up there across the header.  “Write what you know” isn’t useful just for getting our students to break through their shells.  It’s also a useful way to put your little hater on his heels, get the engine revving, and start a conversation.